He sings in a quiet, leisurely way, as a great artist should--there is no haste, no notes thickening on notes in swift crescendo. His voice (so to speak) drops from him, without an effort, and is so clear that it may be heard at a long distance. It is not a set song; perhaps, in strict language, it is hardly a song at all, but rather a succession of detached notes with intervals between. Except when singing, the blackbird does not often frequent trees; he is a hedge-bird, though sometimes when you are looking at a field of green corn or beans one will rise out of it and fly to a tree--a solitary tree such as is sometimes seen in the midst of an arable field. At Wick Farm, sitting in the cool parlour, or in the garden under the shade of the trees, you may hear him almost every morning in the meadows that come right up to the orchard hedge. That hedge is his favourite approach to the garden: he flies to it first, and gradually works his way along under cover till nearer the cultivated beds. Both blackbird and thrush are particularly fond of visiting a patch of cabbages in a shady, quiet corner: there are generally two or three there after the worms and caterpillars, and so forth. The thrushes build in the garden in several places, especially in an ivy-hidden arbour--a wooden frame completely covered with ivy and creeping flowers. Close by is a thick box-hedge, six feet high and nearly as much through, and behind this is a low-thatched tool-house, where spades, moletraps, scythes, reaping-hooks, and other implements are kept. Here lies a sarsen-stone, hard as iron, about a foot thick, the top of which chances to be smooth and level. This is the thrush's favourite anvil. He searches about under the ivy, under which the snails hide in their shells in the heat of the day, and brings them forth into the light. The shell is too large for his beak to hold it pincer-fashion, but at the entrance--the snail's doorway--he can thrust his bill in, and woe then to the miserable occupant! With a hop and flutter the thrush mounts the stone anvil, and there destroys his victim in workmanlike style. Up goes his head, lifting the snail high in the air, and then, smash! the shell comes down on the stone with all the force he can use. About two such blows break the shell, and he then coolly chips the fragments off as you might from an egg, and makes very few mouthfuls of the contents. On the stone and round about it lie the fragments of many such shells--relics of former feasts. Sometimes he will do this close to the bay-window--if all is quiet--using the stone-flags for an anvil, if he chances to find a snail hard by; but he prefers the recess behind the box-hedge. The thrushes seem half-domesticated here; they are tame, too, in the hedges, and will sit and sing on a bough overhead without fear while you wait for a rabbit on the bank beneath. CHAPTER NINE.