Wild life under the equator : $b narrated for young peopleDu Chaillu, Paul B. (Paul Belloni)
General
Wild life under the equator : $b narrated for young people
Du Chaillu, Paul B. (Paul Belloni)
Africa, West -- Description and travel -- Juvenile literature
At length through the thick crowd I discovered the body of Irende. It
was seated on a stool, the back leaning against the wall. It was dressed
in an old coat, and by its side was a harp—for Irende had the reputation
of being a great musician; there also lay his spear and his gun, which
were to be buried with him.
[Illustration: MOURNING THE DEAD.]
His wives were round him, talking, begging him to speak to them, and
then silence followed. No answer came. Then there burst forth a
heart-piercing wail. “He is dead! he is dead!” they shouted. “His lips
will speak to us no more; he will not hunt for us any more; he will play
no more on the _wombi_ for us!” Then all ended in a long plaintive song.
The mother came, and kneeling before him took hold of his feet, which is
the most supplicating manner of address in Africa; she looked in his
face and said in a very plaintive voice—“My son, you have not spoken to
your wives, but I know you will speak to your mother. You will say to
her that you are not dead.”
The same silence ensued.
They all waited in vain for an answer for a few minutes; then the poor
mother rolled herself on the ground at her son’s feet, shrieked and
cried, and said—“Irende, why do you not speak to your mother?” The poor
mother’s shrieks were so long, so piercing, and she uttered such a wail
of grief, that the tears came into my eyes. The poor African mother had
a heart!
As I left the hut, thinking how strangely the mind of man is
constituted, the wailing continued, and was to be kept up until the
burial of the corpse.
[Sidenote: _AN AFRICAN FUNERAL._]
The day of the funeral came, and we went to the burial-ground. As the
body left the village and was put into a canoe, the wailing was
tremendous. The men that were to paddle were all painted, almost naked,
and covered with fetiches. The drum beat as we descended the stream.
As we approached the burial-ground (for these Commi have a sort of
cemetery) all became silent. Not a word was said; they prayed _Ovengua_
not to get hold of them, and the corpse was left on the sand, a certain
amount of which was thrown over it. His _wombi_ was laid by his side,
his gun and his spear were placed in his hand, and necklaces and
ornaments were left with him. A cooked dish of plantain and a jar of
water were placed beside him, so that he might drink and eat if he
chose, then all was over and we came away.
What a strange burial-ground it was! It was situated on a prairie, with
no trees in the neighborhood, and poles were the only signs that could
show it to be a cemetery. Here and there a grim skeleton could be seen,
and the remains of things that had accompanied the deceased men and
women to the grave.
[Illustration: [Fleuron]]
[Illustration: [Fleuron]]
CHAPTER XI.
A TORNADO.—BEFORE THE STORM.—THUNDER AND LIGHTNING.—AFTER THE STORM.
Public-domain text, read in full here on John Shaqi.
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