WILD ORANGES
WILD ORANGES
BY
JOSEPH HERGESHEIMER
ILLUSTRATED WITH SCENES FROM
KING VIDOR'S PHOTOPLAY
A GOLDWYN PICTURE
GROSSET & DUNLAP
PUBLISHERS--NEW YORK
Made in the United States of America
COPYRIGHT, 1918, BY ALFRED A. KNOPF, Inc.
Published, April, 1918, in a volume now out of print,
entitled "Gold and Iron," and then reprinted twice.
First published separately, March, 1922
TO GEORGE HORACE LORIMER
WILD ORANGES
I
The ketch drifted into the serene inclosure of the bay as silently as
the reflections moving over the mirrorlike surface of the water.
Beyond a low arm of land that hid the sea the western sky was a
single, clear yellow; farther on the left the pale, incalculably old
limbs of cypress, their roots bare, were hung with gathering shadows
as delicate as their own faint foliage. The stillness was emphasized
by the ceaseless murmur of the waves breaking on the far, seaward
bars.
John Woolfolk brought the ketch up where he intended to anchor and
called to the stooping white-clad figure in the bow: "Let go!" There
was an answering splash, a sudden rasp of hawser, the booms swung
idle, and the yacht imperceptibly settled into her berth. The wheel
turned impotently; and, absent-minded, John Woolfolk locked it. He
dropped his long form on a carpet-covered folding chair near by. He
was tired. His sailor, Poul Halvard, moved about with a noiseless and
swift efficiency; he rolled and cased the jib, and then, with a
handful of canvas stops, secured and covered the mainsail and
proceeded aft to the jigger. Unlike Woolfolk, Halvard was short--a
square figure with a smooth, deep-tanned countenance, colorless and
steady, pale blue eyes. His mouth closed so tightly that it appeared
immovable, as if it had been carved from some obdurate material that
opened for the necessities of neither speech nor sustenance.
Tall John Woolfolk was darkly tanned, too, and had a grey gaze,
by turns sharply focused with bright black pupils and blankly
introspective. He was garbed in white flannels, with bare ankles and
sandals, and an old, collarless silk shirt, with sleeves rolled
back on virile arms incongruously tattooed with gauzy green
cicadas.
He stayed motionless while Halvard put the yacht in order for the
night. The day's passage through twisting inland waterways, the hazard
of the tides on shifting flats, the continual concentration on details
at once trivial and highly necessary, had been more wearing than the
cyclone the ketch had weathered off Barbuda the year before. They had
been landbound since dawn; and all day John Woolfolk's instinct had
revolted against the fields and wooded points, turning toward the open
sea.
Public-domain text, read in full here on John Shaqi.
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