"If you could only assure me of that," she replied wistfully. "If I
could be certain that he wasn't in the next shadow I'd go gladly. Any
other way it would be useless." She laid her hand over her heart. "I
must get him out of here----My father did. His lips trembled a little,
but he said quite clearly: 'Don't do that. Don't touch my daughter.'"
"Your father was a singularly brave man," he assured her, rebelling
against the leaden monotony of speech that had fallen upon them. "Your
mother too was brave," he temporized. He could, he decided, wait no
longer. She must, if necessary, be carried away forcibly. It was a
desperate chance--the least pressure might result in a permanent,
jangling discord. Her waist, torn, he saw, upon her pallid shoulder,
was an insufficient covering against the wind and night. Looking about
he discovered the muffler, laid out for her father, crumpled on the
floor; and, with an arm about her, folded it over her throat and
breast.
"Now we're away," he declared in a forced lightness. She resisted him
for a moment, and then collapsed into his support.
John Woolfolk half led, half carried her into the hall. His gaze
searched the obscurity of the stair; it was empty; but from above came
the sound of a heavy, dragging step.
XIV
Outside she cowered pitifully from the violent blast of the wind, the
boundless, stirred space. They made their way about the corner of the
house, leaving behind the pale, glimmering rectangle of the lighted
window. In the thicket Woolfolk was forced to proceed more slowly.
Millie stumbled weakly over the rough way, apparently at the point of
slipping to the ground. He felt a supreme relief when the cool sweep
of the sea opened before him and Halvard emerged from the gloom.
He halted for a moment, with his arm about Millie's shoulders, facing
his man. Even in the dark he was conscious of Poul Halvard's stalwart
being, of his rocklike integrity.
"I was delayed," he said finally, amazed at the inadequacy of his
words to express the pressure of the past hours. Had they been two or
four? He had been totally unconscious of the passage of actual time.
In the dark house behind the orange grove he had lived through
tormented ages, descended into depths beyond the measured standard of
Greenwich. Halvard said:
"Yes, sir."
The sound of a blundering progress rose from the path behind them, the
breaking of branches and the slipping of a heavy tread on the
water-soaked ground. John Woolfolk, with an oath, realized that it was
Nicholas, still animated by his fixed, murderous idea. Millie Stope
recognized the sound, too, for she trembled violently on his arm. He
knew that she could support no more violence, and he turned to the
dim, square-set figure before him.
Public-domain text, read in full here on John Shaqi.
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