That was when I sprang over a stone wall and landed fairly in the
middle of a covey of partridges made up of a mother bird and what
seemed a small whirlwind of young ones no bigger than my thumb. My
plunge startled the mother so that she thundered away through the
bushes, a thing that a mother partridge, surprised with her young, will
rarely do. At the same moment the young scurried into the air. It was
like a gust among a dozen brown leaves, whirling them breast high for a
moment and then letting them settle to earth again. You go to pick them
up and they surely are brown leaves! It is as if some woodland Merlin
had waved his wand. They were young partridges, they are brown leaves.
It is as quick as that.
Yet this was my lucky morning, for one of these little birds failed
to dematerialize, and I noted him wriggling down under a clump of
woodland grass and picked him up. He made pretense of keeping still
for a moment, then wriggled in fright in my hand, a pathetically
silent, frightened, bright-eyed little chick, mostly down. How his few
feathers helped him to make as much of a flight as he had is beyond my
conception. He must have mental-scienced himself up into the air and
down again.
Holding him gently, I pursed my lips and drew the air sharply in
between lips and teeth. The result was a peculiar squeaking chirp which
I have often used on similar occasions with many different birds and
almost always with success. Then there came a sudden materialization.
Out of the atmosphere, apparently, appeared the mother bird, dancing
and mincing along toward me till she was very near, her head up, her
eyes blazing with excitement, her wings half spread and her feathers
fluttering.
[Illustration: The mother bird, dancing and mincing along]
It was a sort of pyrrhic dance by a creature as different from the
usual partridge as may be conceived. It lasted but a moment; at a
sudden, indescribable note from the mother bird the fledgling gave
an answering jump and slipped from my relaxed hold, fluttered and
dematerialized before my eyes just as the mother bird went into
nothingness in the same way. Truly, there are bogies in the wood, for
that morning I saw them at their work. It was the illusion and evasion
of old Merlin; no less.
Going on down the pasture, I picked up the musky scent of the swamp I
was approaching, instead of the thing I sought. The scent of the swamp
is cool with humid humus, musky with the breath of the skunk-cabbage,
woodsy with that quaint exhalation which you get from the ferns, our
oldest form of plant life, still retaining and lending to you as you
pass the odor of the very forest primeval. These are the base, and they
carry the lighter and daintier odors as ambergris, a vile and dreadful
but very strong smell, carries the dainty scents of the perfumer, and
just as they in turn give you no hint of the ambergris which is their
base, so the odor of the swamp gives you little hint of these three but
is a delight of its own.
Public-domain text, read in full here on John Shaqi.
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