Wild Wales: The People, Language, & SceneryBorrow, George
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Wild Wales: The People, Language, & Scenery
Borrow, George
Borrow, George, 1803-1881 -- Travel -- Wales; Wales -- Description and travel
Anyhow, it was very eccentric to write a book upon Wales and to ignore so
picturesque a feature of the subject as the Welsh gypsies. For, beyond
doubt, the finest specimens of the Romany race are—or were in Borrow’s
time—to be found in Wales. And here I cannot help saying
parenthetically, that as Borrow gave us no word about the Welsh Romanies
and their language, the work of Mr. Sampson, the greatest master of the
Welsh Romany that ever lived, is especially precious. So great is the
work of that admirable scholar upon the subject that he told me when I
last saw him that he was actually translating Omar Khayyam into Welsh
Romany! Although the Welsh gypsies have a much greater knowledge of
Welsh Romany than English gypsies have of English Romany, and are more
intelligent, I am a little sceptical, as I told him, as to the Welsh
Romanies taking that deep interest in the immortal quatrains which, it
seems, atheists and Christians agree in doing among the gorgios.
VI
CELT _v_ SAXON
Those who have seen much of the writing fraternity of London or Paris,
know that the great mass of authors, whether in prose or in verse, have
just as much and just as little individuality—have just as much and just
as little of any new and true personal accent, as the vast flock of human
sheep whose bleatings will soon drown all other voices over land and sea.
They have the peculiar instinct for putting their thoughts into written
words—that is all. This it is that makes Borrow such a memorable figure.
If ever a man had an accent of his own that man was he. What that accent
was I have tried to indicate here, in the remarks upon his method of
writing autobiographic fiction. Vanity can make all, even the most
cunning, simple on one side of their characters, but it made of Borrow a
veritable child.
If Tennyson may be accepted as the type of the man without guile, what
type does Borrow represent? In him guile and simplicity were blent in
what must have been the most whimsical amalgam of opposite qualities ever
seen on this planet. Let me give one instance out of a thousand of this.
Great as was his love of Wales and the Welsh, the Anglo-Saxonism—the John
Bullism which he fondly cherished in that Celtic bosom of his, was so
strong that whenever it came to pitting the prowess and the glories of
the Welshman against those of the Englishman, his championship of the
Cymric race would straightway vanish, and the claim of the Anglo-Saxon to
superiority would be proclaimed against all the opposition of the world.
This was especially so in regard to athletics, as was but natural, seeing
that he always felt himself to be an athlete first, a writing man
afterwards.
A favourite quotation of his was from Byron—
“One hates an author that’s _all author_—fellows
In foolscap uniforms turned up with ink.”
Frederick Sandys, a Norfolk man who knew him well, rarely spoke of Borrow
save as a master in the noble art of self-defence.
Public-domain text, read in full here on John Shaqi.
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