the romantic lover of Wales, in spite of the arguments of Thomas Stephens, will still believe sailed westward with his fleet and discovered America before Columbus,—returned, and then sailed westward again into eternity. Now every peak and cliff of Snowdonia, and every matchless valley and dale of the land of the Druids, is very specially beloved by the Spirit of Antiquity. The land of Druidism—the land of that mysterious poetic religion which more than any other religion expresses the very voice of Nature, is the land painted in this delightful volume—Wild Wales. Compared with Druidism, all other religious systems have a sort of commonplace and modern ring, even those which preceded it by centuries. The scenic witchery of Wild Wales is great, no doubt, but it is enormously intensified by the memory of the heroic struggle of the unconquerable remnant of the ancient Britons with the brutal, physical power of Roman and Saxon. The history of Wales is an epic not to be surpassed for poetry and for romance. And even these things did not comprise all the points in connection with Wild Wales that delighted Borrow. For when the student of Welsh history and the lover of Welsh scenery is brought into contact with the contemporary Welsh people, the charm of the land does not fade, it is not fingered away by personal contact: it is, indeed, augmented tenfold. I have in “Aylwin” dwelt upon the poetry of Welsh common life, the passionate love of the Welsh people for a tiny strip of Welsh soil, the religion of hearth and home, the devotion to wife and children. In the Arvon edition of that book, dedicated to a Welsh poet, I have said what I had previously often said to Borrow, that, “although I have seen a good deal of the races of Europe, I put the Cymric race in many ways at the top of them all. They combine, as I think, the poetry, the music, the instinctive love of the fine arts, and the humour of the other Celtic peoples with the practicalness and bright-eyed sagacity of the very different race to which they were so closely linked by circumstance—the race whom it is the fashion to call the Anglo-Saxon. And as to the charm of the Welsh girls, no one who knows them as you and I do, can fail to be struck by it continually. Winifred Wynne I meant to be the typical Welsh girl as I have found her—affectionate, warm-hearted, self-sacrificing and brave.” IV BORROW’S METHOD OF AUTOBIOGRAPHIC NARRATIVE COMPARED WITH THE METHODS OF DEFOE, WILKIE COLLINS, DICKENS AND THE ABBÉ PRÉVOST It seems almost necessary that in this desultory talk upon “Wild Wales” I should, before proceeding any further, say a few words upon the book in its relations to two of Borrow’s other autobiographic narratives, “Lavengro” and “The Romany Rye,” and I do not know any literary subject more suggestive of interesting criticism.