But it is over on the oak hillside where the red and black oaks still
hold resolutely to their dried leaves that the cry of the snow will most
astonish you. It is not at all the rustle of these oak leaves in a wind.
It is an outcry, an uproar, that drowns any other sound that might be in
the wood. It is impossible to distinguish voices or words. It is as if
ten thousand of the little people of the wood and field and sky had
suddenly come together in great excitement over something and were
shouting all up and down the gamut of goblin emotion. After I have stood
and listened to it for a minute or two I begin to look at one shoulder
and then the other fully expecting to see gabbling goblins grouped
there, yelling to one another in my very ears. Here with closed eyes you
may easily tell the quality of the snow about you by the sound. Each
sort of flake has its distinct tone which is easily recognized through
all the uproar. At nightfall of this first snow of ours it happened that
in the meeting of northerly and southerly currents which had brought the
storm, the north wind lulled and the south began to have its way again.
This gave us at first a great downfall of big flakes that seemed to blot
out all the world in an atmosphere of fluff. Then, evidently, the warmth
in the upper atmosphere increased for the big flakes gave way to a fine
fall of rounded sleet. Then, indeed, we got outcry the most astonishing
in the oak wood. The voices shrilled and fined and all crepitation was
lost in a vast chorus of a million peeping frogs. Nothing else ever
sounded like it. It was as if a goblin springtime had burst upon us in
the white gloom of the oak wood and all the hylas in the world were
piping their shrillest from the boughs.
I went home. I think it was time. People used to get among goblins at
dusk in this way in the old country and when they got back from goblin
land they found that they had been gone three years, and I didn’t care
to stay away so long.
Public-domain text, read in full here on John Shaqi.
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