There were not many people in the drawing-room when we arrived, and my
friend’s mother alone was there to entertain them. With her I was
chatting when one of her daughters entered, accompanied by a lady in
mourning. For one moment I felt as if on the borders of insanity. My
brain seemed to surge like the waves of a wind-tormented tide, so that
I dared not make a single step forward lest my limbs should disobey me.
It was indeed Mary Osborne; but oh, how changed! The rather full face
had grown delicate and thin, and the fine pure complexion if possible
finer and purer, but certainly more ethereal and evanescent. It was as
if suffering had removed some substance unapt, [Footnote: Spenser’s
‘Hymne in Honour of Beautie.’] and rendered her body a better-fitting
garment for her soul. Her face, which had before required the softening
influences of sleep and dreams to give it the plasticity necessary for
complete expression, was now full of a repressed expression, if I may
be allowed the phrase--a latent something ever on the tremble, ever on
the point of breaking forth. It was as if the nerves had grown finer,
more tremulous, or, rather, more vibrative. Touched to finer issues
they could never have been, but suffering had given them a more
responsive thrill. In a word, she was the Athanasia of my dream, not
the Mary Osborne of the Moldwarp library.
Conquering myself at last, and seeing a favourable opportunity, I
approached her. I think the fear lest her father should enter gave me
the final impulse; otherwise I could have been contented to gaze on her
for hours in motionless silence.
‘May I speak to you, Mary?’ I said.
She lifted her eyes and her whole face towards mine, without a smile,
without a word. Her features remained perfectly still, but, like the
outbreak of a fountain, the tears rushed into her eyes and overflowed
in silent weeping. Not a sob, not a convulsive movement, accompanied
their flow.
‘Is your father here?’ I asked.
She shook her head.
‘I thought you were abroad somewhere--I did not know where.’
Again she shook her head. She dared not speak, knowing that if she made
the attempt she must break down.
‘I will go away till you can bear the sight of me,’ I said. She
half-stretched out a thin white hand, but whether to detain me or bid
me farewell I do not know, for it dropped again on her knee.
[Illustration: “I will come to you by and by,” I said.]
‘I will come to you by-and-by,’ I said, and moved away. The rooms
rapidly filled, and in a few minutes I could not see the corner where I
had left her. I endured everything for awhile, and then made my way
back to it; but she was gone, and I could find her nowhere. A lady
began to sing. When the applause which followed her performance was
over, my friend, who happened to be near me, turned abruptly and said,
‘Now, Cumbermede, _you_ sing.’
Public-domain text, read in full here on John Shaqi.
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