The truth was that, since I had loved Mary Osborne, I had attempted to
cultivate a certain small gift of song which I thought I possessed. I
dared not touch any existent music, for I was certain I should break
down; but having a faculty--somewhat thin, I fear--for writing songs,
and finding that a shadowy air always accompanied the birth of the
words, I had presumed to study music a little, in the hope of becoming
able to fix the melody--the twin sister of the song. I had made some
progress, and had grown able to write down a simple thought. There was
little presumption, then, in venturing my voice, limited as was its
scope, upon a trifle of my own. Tempted by the opportunity of realizing
hopes consciously wild, I obeyed my friend, and, sitting down to the
instrument in some trepidation, sang the following verses--
I dreamed that I woke from a dream,
And the house was full of light;
At the window two angel Sorrows
Held back the curtains of night.
The door was wide, and the house
Was full of the morning wind;
At the door two armed warders
Stood silent, with faces blind.
I ran to the open door,
For the wind of the world was sweet;
The warders with crossing weapons
Turned back my issuing feet.
I ran to the shining windows--
There the winged Sorrows stood;
Silent they held the curtains,
And the light fell through in a flood.
I clomb to the highest window--
Ah! there, with shadowed brow,
Stood one lonely radiant Sorrow,
And that, my love, was thou.
I could not have sung this in public, but that no one would suspect it
was my own, or was in the least likely to understand a word of
it--except her for whose ears and heart it was intended.
As soon as I had finished, I rose, and once more went searching for
Mary. But as I looked, sadly fearing she was gone, I heard her voice
close behind me.
‘Are those verses your own, Mr Cumbermede?’ she asked, almost in a
whisper.
I turned trembling. Her lovely face was looking up at me.
‘Yes,’ I answered--‘as much my own as that I believe they are not to be
found anywhere. But they were given to me rather than made by me.’
‘Would you let me have them? I am not sure that I understand them.’
‘I am not sure that I understand them myself. They are for the heart
rather than the mind. Of course you shall have them. They were written
for you. All I have, all I am, is yours.’
Her face flushed, and grew pale again instantly.
‘You must not talk so,’ she said. ‘Remember.’
‘I can never forget. I do not know why you say _remember_.’
‘On second thoughts, I must not have the verses. I beg your pardon.’
‘Mary, you bewilder me. I have no right to ask you to explain, except
that you speak as if I must understand. What have they been telling you
about me?’
‘Nothing--at least nothing that--’
She paused.
Public-domain text, read in full here on John Shaqi.
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