Wilhelm Meister's apprenticeship and travels, vol. 1 (of 2)Goethe, Johann Wolfgang von
General
Wilhelm Meister's apprenticeship and travels, vol. 1 (of 2)
Goethe, Johann Wolfgang von
Bildungsromans; German fiction -- Translations into English; Self-realization -- Fiction
"He has told me this already," said Wilhelm, "and perhaps I answered him
too hastily; but, for Heaven's sake, mother, is nothing, then, of use
but what immediately puts money in our purse? but what procures us some
property that we can lay our hands on? Had we not, for instance, room
enough in the old house? and was it indispensable to build a new one?
Does not my father every year expend a large part of his profit in
ornamenting his chambers? Are these silk carpets, this English
furniture, likewise of no use? Might we not content ourselves with
worse? For my own part, I confess, these striped walls, these hundred
times repeated flowers and knots and baskets and figures, produce a
really disagreeable effect upon me. At best, they but remind me of the
front curtain of our theatre. But what a different thing it is to sit
and look at that! There, if you must wait for a while, you are always
sure that it will rise at last, and disclose to you a thousand curious
objects to entertain, to instruct, and to exalt you."
"But you go to excess with it," said the mother. "Your father wishes to
be entertained in the evenings as well as you: besides, he thinks it
diverts your attention; and, when he grows ill-humored on the subject,
it is I that must bear the blame. How often have I been upbraided with
that miserable puppet-show, which I was unlucky enough to provide for
you at Christmas, twelve years ago! It was the first thing that put
these plays into your head."
"Oh, do not blame the poor puppets! do not repent of your love and
motherly care! It was the only happy hour I had enjoyed in the new empty
house. I never can forget that hour; I see it still before me; I
recollect how surprised I was, when, after we had got our customary
presents, you made us seat ourselves before the door that leads to the
other room. The door opened, but not, as formerly, to let us pass and
repass: the entrance was occupied by an unexpected show. Within it rose
a porch, concealed by a mysterious curtain. All of us were standing at a
distance: our eagerness to see what glittering or jingling article lay
hid behind the half-transparent veil was mounting higher and higher,
when you bade us each sit down upon his stool, and wait with patience.
Public-domain text, read in full here on John Shaqi.
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