Wilhelm Meister's apprenticeship and travels, vol. 1 (of 2)Goethe, Johann Wolfgang von
General
Wilhelm Meister's apprenticeship and travels, vol. 1 (of 2)
Goethe, Johann Wolfgang von
Bildungsromans; German fiction -- Translations into English; Self-realization -- Fiction
With this curious sheet he hastened back to Serlo, who read and re-read
it, and at last declared, with a thoughtful look, that it seemed a
matter of some moment; that they must consider well and seriously
whether they could risk it. They talked the subject over at some length;
Aurelia was silent, only smiling now and then; and a few days after,
when speaking of the incident again, she gave our friend, not obscurely,
to understand that she held it all a joke of Serlo's. She desired him to
cast away anxiety, and to expect the Ghost with patience.
Serlo, for most part, was in excellent humor: the actors that were going
to leave him took all possible pains to play well, that their absence
might be much regretted; and this, combined with the new-fangled zeal of
the others, gave promise of the best results.
His intercourse with Wilhelm had not failed to exert some influence on
him. He began to speak more about art: for, after all, he was a German;
and Germans like to give themselves account of what they do. Wilhelm
wrote down many of their conversations; which, as our narrative must not
be so often interrupted here, we shall communicate to such of our
readers as feel an interest in dramaturgic matters, by some other
opportunity.
In particular, one evening, the manager was very merry in speaking of
the part of Polonius, and how he meant to take it up. "I engage," said
he, "on this occasion, to present a very meritorious person in his best
aspect. The repose and security of this old gentleman, his emptiness and
his significance, his exterior gracefulness and interior meanness, his
frankness and sycophancy, his sincere roguery and deceitful truth, I
will introduce with all due elegance in their fit proportions. This
respectable, gray-haired, enduring, time-serving half-knave, I will
represent in the most courtly style: the occasional roughness and
coarseness of our author's strokes will further me here. I will speak
like a book when I am prepared beforehand, and like an ass when I utter
the overflowings of my heart. I will be insipid and absurd enough to
chime in with every one, and acute enough never to observe when people
make a mock of me. I have seldom taken up a part with so much zeal and
roguishness."
"Could I but hope as much from mine!" exclaimed Aurelia. "I have neither
youth nor softness enough to be at home in this character. One thing
alone I am too sure of,--the feeling that turns Ophelia's brain, I shall
not want."
"We must not take the matter up so strictly," said our friend. "For my
share, I am certain, that the wish to act the character of Hamlet has
led me exceedingly astray, throughout my study of the play. And now, the
more I look into the part, the more clearly do I see, that, in my whole
form and physiognomy, there is not one feature such as Shakspeare meant
for Hamlet. When I consider with what nicety the various circumstances
are adapted to each other, I can scarcely hope to produce even a
tolerable effect."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account