Will Shakespeare: An Invention in Four ActsDane, Clemence
General
Will Shakespeare: An Invention in Four Acts
Dane, Clemence
Dramatists -- Drama; Historical drama; Shakespeare, William, 1564-1616 -- Drama
Transcriber's Notes:
Underscores "_" before and after a word or phrase indicate _italics_
in the original text.
Equals signs "=" before and after a word or phrase indicate =bold=
in the original text.
Small capitals have been converted to BLOCK capitals.
The play is in both prose and poetry. It alternates between the two
unpredictably, (sometimes in mid-sentence).
_BY THE SAME AUTHOR_
_NOVELS_:
_REGIMENT OF WOMEN_
_FIRST THE BLADE_
_LEGEND_
_PLAY_:
_A BILL OF DIVORCEMENT_
_LONDON: WILLIAM HEINEMANN_
WILL SHAKESPEARE
AN INVENTION IN FOUR ACTS
BY
CLEMENCE DANE
[Illustration: 1921]
LONDON: WILLIAM HEINEMANN
‘_There’s a divinity that shapes our ends,
Rough-hew them how we will._’
SHAKESPEARE.
THE PEOPLE OF THE PLAY
_As they appear._
ANNE HATHAWAY.
WILL SHAKESPEARE.
MRS. HATHAWAY.
HENSLOWE.
A CHILD.
PLAYERS.
QUEEN ELIZABETH.
MARY FITTON.
KIT MARLOWE.
STAGE HANDS.
A BOY.
A LANDLORD.
A MAN.
ANOTHER MAN.
A GIRL.
A STREET HAWKER.
A PAGE.
SOLDIERS, ATTENDANTS, ETC.
ACT I.--A COTTAGE IN STRATFORD.
ACT II.--TEN YEARS LATER--
_Scene 1_. A ROOM IN THE PALACE.
_Scene 2_. THREE MONTHS LATER--THE FIRST NIGHT OF
“ROMEO AND JULIET.”
ACT III.--
_Scene 1_. A MONTH LATER--SHAKESPEARE’S LODGING.
_Scene 2_. THE SAME NIGHT--A ROOM AT AN INN.
ACT IV.--THE NEXT DAY--A STATE ROOM IN THE PALACE.
The Play was first acted at the Shaftesbury Theatre, London, on
November 17th, 1921, by the Reandean Company, with the following
cast:--
WILL SHAKESPEARE Mr. Philip Merivale
ANNE Miss Moyna Macgill
Mrs. HATHAWAY Miss Mary Rorke
HENSLOWE Mr. Arthur Whitby
QUEEN ELIZABETH Miss Haidee Wright
MARY FITTON Miss Mary Clare
KIT MARLOWE Mr. Claude Rains
A CHILD ACTOR Master Eric Spear
A SECRETARY Mr. Arthur Bawtree
A STAGE HAND Mr. Gilbert Ritchie
A BOY Master Spear
A LANDLORD Mr. Ivor Barnard
A LADY-IN-WAITING Miss Joan Maclean
_Shadows in Act I._
Public-domain text, read in full here on John Shaqi.
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