England -- Social life and customs -- 19th century -- Fiction; English fiction -- 19th century
The benefit was reciprocal. Warburton did not readily form intimacies;
indeed Godfrey Sherwood had till now been almost the only man he called
friend, and the peculiarity of his temper exposed him to the risk of
being too much alone. Though neither arrogant nor envious, Will found
little pleasure in the society of people who, from any point of view,
were notably his superiors; even as he could not subordinate himself in
money-earning relations, so did he become ill-at-ease, lose all
spontaneity, in company above his social or intellectual level. Such a
man's danger was obvious; he might, in default of congenial associates,
decline upon inferiors; all the more that a softness of heart, a
fineness of humanity, ever disposed him to feel and show special
kindness for the poor, the distressed, the unfortunate. Sherwood's
acquaintances had little attraction for him; they were mostly people
who lived in a luxurious way, went in for sports, talked about the
money market--all of which things fascinated Godfrey, though in truth
he was far from belonging by nature to that particular world. With
Franks, Will could be wholly himself, enjoying the slight advantage of
his larger means, extending his knowledge without undue obligation, and
getting all the good that comes to a man from the exercise of his
kindliest feelings.
With less of geniality, because more occupied with himself, Norbert
Franks resembled his new friend in a distaste for ordinary social
pleasures and an enjoyment of the intimacies of life. He stood very
much alone in the world, and from the age of eighteen he had in one way
or another supported himself, chiefly by work on illustrated papers.
His father, who belonged to what is called a good family, began life in
easy circumstances, and gained some reputation as a connoisseur of art;
imprudence and misfortune having obliged him to sell his collection,
Mr. Franks took to buying pictures and bric-a-brac for profit, and
during the last ten years of his life was associated in that capacity
with a London firm. Norbert, motherless from infancy and an only child,
received his early education at expensive schools, but, showing little
aptitude for study and much for use of the pencil, was taken by his
father at twelve years old to Paris, and there set to work under a good
art-teacher. At sixteen he went to Italy, where he remained for a
couple of years. Then, on a journey in the East, the elder Franks died.
Norbert returned to England, learnt that a matter of fifty pounds was
all his heritage, and pluckily turned to the task of keeping himself
alive. Herein his foreign sketch-books proved serviceable, but the
struggle was long and hard before he could house himself decently, and
get to serious work as a painter. Later on, he was wont to say that
this poverty had been the best possible thing for him, its enforced
abstinences having come just at the time when he had begun to
"wallow"--his word for any sort of excess; and "wallowing" was
Public-domain text, read in full here on John Shaqi.
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