As he sat musing, _The Art World_ still in his hand, Warburton could hear his friend's voice ring out that audacious vow. He could remember, too, the odd little pang with which he heard it, a half spasm of altogether absurd jealousy. Of course the feeling did not last. There was no recurrence of it when he heard that Franks had again seen Miss Elvan before she left Ashtead; nor when he learnt that the artist had been spending a day or two at Bath. Less than a month after their first meeting, Franks won Rosamund's consent. He was frantic with exultation. Arriving with the news at ten o'clock one night, he shouted and maddened about Warburton's room until finally turned out at two in the morning. His circumstances being what they were, he could not hope for marriage yet awhile; he must work and wait. Never mind; see what work he would produce! Yet it appeared to his friend that all through the next twelvemonth he merely wasted time, such work as he did finish being of very slight value. He talked and talked, now of Rosamund, now of what he was _going_ to do, until Warburton, losing patience, would cut him short with "Oh, go to Bath!"--an old cant phrase revived for its special appropriateness in this connection. Franks went to Bath far oftener than he could afford, money for his journey being generally borrowed from his long-enduring friend. Rosamund herself had nothing, and but the smallest expectations should her father die. Two years before this, it had occurred to her that she should like to study art, and might possibly find in it a means of self-support. She was allowed to attend classes at South Kensington, but little came of this except a close friendship with a girl of her own age, by name Bertha Cross, who was following the art course with more serious purpose. When she had been betrothed for about a year, Rosamund chanced to spend a week in London at her friend's house, and this led to acquaintance between Franks and the Crosses. For a time, Warburton saw and heard less of the artist, who made confidantes of Mrs. Cross and her daughter, and spent many an evening with them talking, talking, talking about Rosamund; but this intimacy did not endure very long, Mrs. Cross being a person of marked peculiarities, which in the end overtried Norbert's temper. Only on the fourth story flat by Chelsea Bridge could the lover find that sort of sympathy which he really needed, solacing yet tonic. But for Warburton he would have worked even less. To Will it seemed an odd result of fortunate love that the artist, though in every other respect a better man than before, should have become, to all appearances, less zealous, less efficient, in his art. Had Rosamund Elvan the right influence on her lover; in spite of Norbert's lyric eulogy, had she served merely to confuse his aims, perhaps to bring him down to a lower level of thought?