"No, sir, Mr. Franks isn't at home, and hasn't been since after breakfast this morning. And I don't understand it; because he told me last night that he'd be working all day, and I was to get meals for him as usual. And at ten o'clock the model came--that rough man he's putting into the new picture, you know, sir; and I had to send him away, when he'd waited more than an hour." Warburton was puzzled. "I'll take my turn at waiting," he said. "Will you please light the gas for me in the studio?" The studio was merely, in lodging-house language, the first floor front; a two-windowed room, with the advantage of north light. On the walls hung a few framed paintings, several unframed and unfinished, water-colour sketches, studies in crayon, photographs, and so on. In the midst stood the easel, supporting a large canvas, the artist's work on which showed already in a state of hopeful advancement. "The Slummer" was his provisional name for this picture; he had not yet hit upon that more decorous title which might suit the Academy catalogue. A glance discovered the subject. In a typical London slum, between small and vile houses, which lowered upon the narrow way, stood a tall, graceful, prettily-clad young woman, obviously a visitant from other spheres; her one hand carried a book, and the other was held by a ragged, cripple child, who gazed up at her with a look of innocent adoration. Hard by stood a miserable creature with an infant at her breast, she too adoring the representative of health, wealth, and charity. Behind, a costermonger, out of work, sprawled on the curbstone, viewing the invader; he, with resentful eye, his lip suggestive of words unreportable. Where the face of the central figure should have shone, the canvas still remained blank. "I'm afraid he's worried about _her_," said the landlady, when she had lit the gas, and stood with Warburton surveying the picture. "He can't find a model good-looking enough. I say to Mr. Franks why not make it the portrait of his own young lady? I'm sure _she's_ good-looking enough for anything and--" Whilst speaking, the woman had turned to look at a picture on the wall. Words died upon her lips; consternation appeared in her face; she stood with finger extended. Warburton, glancing where he was accustomed to see the portrait of Rosamund Elvan, also felt a shock. For, instead of the face which should have smiled upon him, he saw an ugly hole in the picture, the canvas having been violently cut, or rent with a blow. "Hallo! What the deuce has he been doing?" "Well, I never!" exclaimed the landlady. "It must be himself that's done it! What does _that_ mean now, I wonder?" Warburton was very uneasy. He no longer doubted that Franks had purposely avoided him this afternoon. "I daresay," he added, with a pretence of carelessness, "the portrait had begun to vex him. He's often spoken of it discontentedly, and talked of painting another. It wasn't very good."