England -- Social life and customs -- 19th century -- Fiction; English fiction -- 19th century
"There'll be an end of mother's worry," she said, "and I can't tell you
how glad I shall be. It seems to me that women oughtn't to have to
think about money, and mother hates the name of it; she always has
done. Oh, what a blessing when it's all off our hands! We shouldn't
care, even if the new arrangement brought us less."
"And it is certain to bring you more," remarked Will, "perhaps
considerably more."
"Well, I shan't object to that; there are lots of uses for money; but
it doesn't matter."
Jane's sincerity was evident. She dismissed the matter, and her basket
being full of beans, seized a fork to dig potatoes.
"Here, let me do that," cried Will, interposing.
"You? Well then, as a very great favour."
"Of course I mean that. It's grand to turn up potatoes. What sort are
these?"
"Pink-eyed flukes," replied Jane, watching him with keen interest. "We
haven't touched them yet."
"Mealy, eh?"
"Balls of flour!"
Their voices joined in a cry of exultation, as the fork threw out even
a finer root than they had expected. When enough had been dug, they
strolled about, looking at other vegetables. Jane pointed to some Savoy
seedlings, which she was going to plant out to-day. Then there sounded
a joyous bark, and Pompey came bounding toward them.
"That means the milk-boy is here," said Jane. "Pompey always goes to
meet him in the morning. Come and drink a glass--warm."
CHAPTER 10
Back at Chelsea, Will sent a note to Norbert Franks, a line or two
without express reference to what had happened, asking him to come and
have a talk. Three days passed, and there was no reply. Will grew
uneasy; for, though the artist's silence perhaps meant only sullenness,
danger might lurk in such a man's thwarted passion. On the fourth
evening, just as he had made up his mind to walk over to Queen's Road,
the familiar knock sounded. Mrs. Hopper had left; Will went to the
door, and greeted his visitor in the usual way. But Franks entered
without speaking. The lamplight showed a pitiful change in him; he was
yellow and fishy-eyed, unshaven, disorderly in dress indeed, so well
did he look the part of the despairing lover that Warburton suspected a
touch of theatric consciousness.
"If you hadn't come to-night," said Will, "I should have looked you up."
Franks lay limply in the armchair, staring blankly.
"I ought to have come before," he replied in low, toneless voice. "That
night when I met you, I made a fool of myself. For one thing, I was
drunk, and I've been drunk ever since."
"Ha! That accounts for your dirty collar," remarked Will, in his note
of dry drollery.
"Is it dirty?" said the other, passing a finger round his neck. "What
does it matter? A little dirt more or less, in a world so full of it--"
Warburton could not contain himself; he laughed, and laughed again. And
his mirth was contagious; Franks chuckled, unwillingly, dolefully.
"You are not extravagant in sympathy," said the artist, moving with
fretful nervousness.
Public-domain text, read in full here on John Shaqi.
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