At the door of the dressing-room the manager left Tommy, who knocked
gently. The door was opened at once by a coloured maid of uncertain
age, who turned to her mistress at the sight of Tommy. "It's a gent,
honey," she said, and Flo, who was already in street attire, turned to
the door. "Come in, Tommy Watson," she said quietly. "Toots," to the
maid, "leave us a little while."
Tommy stood near the door, his eyes sparkling, his cheeks full of
colour now, his hands rigid by his side. Flo waited, her own cheeks
burning, her heart beating fast. Tommy came a little nearer to her,
and, "It seems like a long, long time since you went on the stage, Flo
Dearmore," he said.
She nodded, and recovering a little of her dashing self, answered,
"It's only ten years, Tommy."
"No," said Tommy, "it's more than that--it's all of twenty."
"Tommy!"
"I'm forty and you're thirty--think of that, Flo, and you were ten the
first time I saw you on the stage. Don't you remember the pantomime in
the old schoolhouse? You were the Queen of the Fairies, and----"
"Yes, but I was still a school-girl."
"And your heart was already set upon the stage. I've never forgotten
that night, Flo; such a winsome little fairy you were."
"But--but----" she faltered.
"I did--I tell you," he asserted stoutly, as though she had
contradicted him--"I fell in love with you that night; I watched you
grow into young womanhood, Flo; and always--and always--you filled my
heart."
"Don't, Tommy."
"And when I asked you--and when you laughed----" he broke off abruptly.
"Don't," she pleaded--"don't, Tommy. It was cruel of me----"
He came nearer still--his arms outstretched now. She rose with a
swift, "No, no, Tommy, I cannot--not yet--wait a little longer--give me
a little time," and there was a note of appeal in her voice. She went
on rapidly. "I must feel that I can give you all that you would have,
Tommy. There is no other man--believe me--and my work--my work--well,
it is not all now. There are times when--" and again she halted. Then
looking at him bravely, she said, "Tommy, if you are of the same mind
at the end of the season, and there is no other woman," this with a
gleam of mischief in her eyes, "perhaps I'll know for sure."
And Tommy, the silver-tongued auctioneer, the man whose eloquence
opened people's pockets and made them buy bargains they didn't want,
meekly accepted her rebuff when she refused even to allow him to kiss
her hand, and left her when she said, "It must be good-night, Tommy,
now."
The next morning the newspapers with one accord paid tribute to the
cleverness of the Loch Lomond scene in "Flo Dearmore's turn," and at
every remaining performance it was repeated. But William had no part
in it. A choir boy from a city church got "the big money" the manager
had talked of. And Tommy Watson, who attended every performance during
the week for just so long as Flo Dearmore's act lasted, began to eat
like a man who had many slim meals to make up for.
Public-domain text, read in full here on John Shaqi.
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