He was lacking entirely in the historical sense, the sense
that makes dead men alive; thus, in connection with the doings of
present-day Frenchmen, his odds and ends of historical reading had
little more meaning to him than the Late Gothic carving on the ornate
portal of St. Nicholas.
* * * * *
The phase of warfare with which France familiarized him was not only
secure and uneventful; as far as the native was concerned it was
likewise prosperous. The town where he plodded through his daily toil
was blessed as never before in the matter of trade and turnover;
commercially it blossomed and bore good fruit in the deadly shade of the
upas tree. The camps and the offices meant custom to its citizens, and,
whatever the toll in the blood of its sons, it gained in its pocket by
the war. The Germans, in 1914, had threatened but barely entered it; it
had neither damage to repair nor extorted indemnity to recoup, and money
flowed freely to the palms of its inhabitants from the pockets of the
British soldier. Its neighbours, a few miles away, lay in hopeless
ruin, their industries annihilated, their inhabitants scattered, their
very outlines untraceable—beaten to death by that same chance of war
which had spared the city in the cup of the hills and exalted her
financial horn. Here were neither misery nor shell-holes; the local
shopkeeper was solidly content, the local innkeeper banked cheerfully
and often, the local farmer sold his produce to advantage and the volume
of trade in the district expanded and burst new channels. Eating-houses
broke out into English announcements concerning eggs, fried potatoes,
and vegetables; English newspapers were plentiful as French in the shops
and small boys cried them in the streets; and when the weekly market
gathered in the shadow of St. Nicholas, to the stalls for hardware,
fruit and cheap finery were added the stalls that did a roaring business
in "souvenirs" for the English markets.
* * * * *
Public-domain text, read in full here on John Shaqi.
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