They stood looking down at it in silence—dumb and uneasily fearful in
the presence of a mystery beyond their powers of fathoming. The empty,
untidy house behind them was suddenly a threat and a shadow; so was the
loneliness and all-enclosing silence of the valley ... The damp garden
earth was still fresh and black from its turning; whoever lay under it
could have lain but an hour or two; and, lest the unmistakable shape of
the mound should fail to indicate what it covered, some one had laid on
it a red spray torn from a rose-bush and with a stick and a knot of
string had fashioned a cross for the head. Two crossed hazel shoots and
a handful of roses betokened that a spirit had returned to the God Who
gave it.
As they stood at the graveside in the peace of the evening, the constant
mutter of distant guns sent a low-spoken threat along the valley; but
they were too much engrossed in their thoughts and surroundings to give
it ear or heed, and it was the pullet who roused them from their stupor
of dumb astonishment. Encouraged by their stillness, she drew near,
surveyed the mound and with a flap of her clipped wings alighted under
the cross. William instinctively bent forward to "shoo" her away, and
as she fled protesting to a safer neighbourhood the husband and wife for
the first time moved and spoke.
"What can have happened?" Griselda whispered. "Do you think—— William,
you don’t think there has been a murder?"
William shook his head, though not with excess of confidence. "There’s
the cross," he objected, "and the roses. A murderer would hardly put
roses——"
"I don’t know," Griselda whispered back. "You hear of criminals doing
such strange things—and perhaps it was done hastily, in a quarrel, and
the murderer repented at once.... For all we know that paper on our
kitchen table may be a confession.... I wonder whose grave it is—if it’s
one of the Peys. It’s so odd their all having gone—there must be
something wrong.... You don’t suppose they’ve gone off to hide
themselves?"
William reminded her of the absence of the farm-yard stock—and she
admitted that a family seeking to elude justice would hardly be so
foolish as to attempt to conceal itself from the police in the company
of seven cows, two cart-horses and an entire colony of poultry. Nor,
when untrodden woods lay around them, would they call attention to the
crime by placing the grave of their victim in a prominent position in
the garden; while it was difficult to think of the Peys family, as they
had known them, as murderers and accomplices of murderers: the old lady
so cheery and shrewd, her son and his wife so unintelligibly friendly,
and Philippe so loutishly good-natured.
Public-domain text, read in full here on John Shaqi.
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