In the end there must have come to him some measure of helpless
acquiescence, or perhaps he was quieted and taken out of himself by the
need of giving help to Griselda. After how long he knew not he found
himself once more with his arms around her; she let him take her hand,
he kissed it and stroked her poor hair. This time she came with him
when he led her to the door, and they went down the stairway together.
Near the street door she hesitated and halted, and he saw she had
something to say.
"Where are we going?" she asked, with her lips to his ear. "Can we get
away?"
He told her he thought so, that now was the time when they might slip
away unnoticed—trying to encourage her by the assumption of a greater
confidence than he felt. Fortune favoured them, however, and the
assumption of confidence was justified; though the bombardment had
slackened as suddenly as it had begun, the remnant of German soldiery
left in the place was still too much occupied with its own concerns to
interfere with a couple of civilians seeking safety in the rear of the
fire-zone, and no one paid any heed to them as they made their way along
the street. They turned inevitably westward—away from the guns—down the
road they had come that morning: two hunted, dishevelled little figures,
keeping well to the wall and glancing over their shoulders. The crush
of wagons, of guns and men, had moved forward and out of the village,
which, for the moment, seemed clear of all but non-combatants—save for
the ubiquitous cyclist who dashed backwards and forwards in his dust.
An ambulance was discharging its load at a building whence waved the Red
Cross, and near at hand, but out of sight, a battery was thudding
regularly; but of the few uniformed figures in the street itself there
was none whose business it was to interest himself in their movements.
They hurried on, clinging to each other and hugging the wall—except when
a heap of fallen brickwork, a derelict vehicle or other obstacle forced
them out into the road.
Public-domain text, read in full here on John Shaqi.
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