Allan Cunningham and the fastidious Crabb Robinson give the impression that Blake lived in squalor at the end, but the insinuation is refuted by all those who knew him well. Says one, "I never look upon him as an unfortunate man of genius. He knew every great man of his day, and had enough"; while one of the most attached of his friends and disciples (a young artist of the band I have mentioned, who attained success as a painter of "poetic landscape," Mr. Samuel Palmer) wrote to Gilchrist, "No, certainly,--whatever was in Blake's house, there was no squalor. Himself, his wife and his rooms, were clean and orderly; everything was in its place. His delightful working corner had its implements ready, tempting to the hand. The millionaire's upholsterer can furnish no enrichments like those of Blake's enchanted rooms." It would seem that Blake, having won "those just rights as an artist and a man" for which he had striven with Hayley and Cromek in the old days, and having now established his claim to live as he pleased in honourable poverty for the sake of the imaginative life, gained a tardy recognition and respect among the intellectual spirits of the time during his last years. One of the friendly acquaintances of this period was Thomas Griffiths Wainwright, a strange character of great artistic capacity and sensibilities, and yet destined to be a secret poisoner and murderer. I wonder if Blake was thinking of him when he said in one of his conversations with Crabb Robinson, "I have never known a very bad man who had not something very good in him." Palmer Samuel has given a never-to-be-forgotten picture of Blake at the Academy looking at a picture of Wainwright's.