William Blake: A Study of His Life and Art WorkLangridge, Irene
General
William Blake: A Study of His Life and Art Work
Langridge, Irene
Blake, William, 1757-1827
Swedenborg's doctrine of correspondences--the theory that natural
phenomena actually represent, or rather shadow, unseen spiritual
conditions and existence--attracted Blake at first reading, and became so
much a part of his mental fibre that one feels certain he would have
eventually fought his intellectual way out into this channel of thought
had Swedenborg never written. Nature seemed to Blake but the confused and
vague copy of something definite and perfect in "Imagination" or "Spirit."
"All things exist in the human imagination," and "in every bosom a
universe expands," he wrote, and in the human imagination and its reverend
preservation and cultivation lay man's only source of divine illumination,
he believed.
"If the doors of perception were cleansed, everything would appear to man
as it is, infinite. For man has closed himself up till he sees all things
through narrow chinks in his cavern," are illuminating words of his.
Blake's whole effort in life seemed to be the cleansing and spiritualizing
of the portals of the senses that he might see and hear and receive as
much of the infinite spirit as his humanity could hold.
The mission which he put clearly before him always, he expressed in these
words in his prophetic poem of "Jerusalem":
I rest not from my great task
To open the Eternal Worlds, to open the Immortal Eyes
Of Man inwards; into the Worlds of Thought, into Eternity
Ever expanding in the bosom of God, the Human Imagination.
No man ever sought more gallantly to batter down the walls of materialism
which were closing round the souls of men, to let in the sweet breath of
Spirit, and to unveil the Vision of the Universal Life. The immemorial
struggle between the body and the soul of man was never lost sight of by
him, though he sometimes seems to deny it, and his letters to Butts from
Felpham show something of his acute consciousness of the difficulty of
subduing his spectre or "selfhood." "Nature and religion," he announces
passionately, "are the fetters of Life." The orthodox narrow unspiritual
religion of his time and all times was repugnant to Blake, and aroused all
his fiery combative qualities. It seemed to him to be as actually a fetter
to the spirit as the carnal nature of man. Religion was to him a matter of
intuition, and not a question of creed or dogma at all. He gives a picture
of ordinary religious conceptions in the poem called the "Everlasting
Gospel":
The vision of Christ that thou dost see
Is my vision's greatest enemy.
Thine is the friend of all mankind;
Mine speaks in parables to the blind.
Thine loves the same world that mine hates,
Thy heaven-doors are my hell-gates.
Socrates taught what Miletus
Loathed as a nation's bitterest curse;
And Caiaphas was, in his own mind,
A benefactor to mankind.
Both read the Bible day and night;
But thou read'st black where I read white.
Public-domain text, read in full here on John Shaqi.
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