William Blake: A Study of His Life and Art WorkLangridge, Irene
General
William Blake: A Study of His Life and Art Work
Langridge, Irene
Blake, William, 1757-1827
few chosen spirits as a great master and seer. The story of his life
contains but few incidents, but through these incidents we see a soul
travelling.
William Blake was born in 1757 at 28, Broad Street, Carnaby Market, Soho.
The old house still stands, but looks very dirty and depressing, like the
street, which, since Blake played in it, has suffered a dingy declension.
Messrs. Ellis and Yeats, who have added some biographical details to
Gilchrist's Life, state that William's father, the hosier, James Blake,
was the son of an Irishman, one John O'Neil. John O'Neil married a girl
from Rathmines, Dublin, called Ellen Blake, and as he soon afterwards got
into debt and trouble of one sort and another, he dropped his name of
O'Neil and adopted his wife's maiden name. This fact, if established
beyond doubt, would seem to be of singular importance, as the presence of
Irish blood in William Blake would account for several strange
characteristics which are not otherwise understandable. The Kelts are
always particularly sensitive and open to spiritual experience.
Imagination, second sight, and acute psychic consciousness, seem to be
the peculiar attributes of the race; and these gifts are seldom to be
found in a pure Anglo-Saxon. There were four other children, James, of
whom we shall hear again, Robert, our artist's beloved younger brother,
John, a ne'er-do-weel, and a girl of whom not much is known.
Very early William developed a taste for art, and his father, with more
sense than usually characterizes the parents of great men, allowed him to
follow his bent, and sent him, from the age of ten to fourteen, to the
drawing class of one Pars, in the Strand. We read of his attending picture
sales and occasionally buying drawings and prints after Raphael, Michael
Angelo, Albert Duerer, and other old masters at prices which would make the
modern collector green with envy. But we do not hear of Blake's attending
any other school either before or after leaving Pars for the purpose of
furthering his general education. All the knowledge that he acquired
outside Art was self-chosen and self-taught. A sound general education is
the firmest basis on which to build a tower of observation from which the
world and life may be surveyed with judgement. Blake's beautiful and
fantastic house of thought, however, was erected on no such foundation.
Perhaps instinct guided his choice of mental food: certain it is that the
peculiar education he gave himself enabled him to preserve his own
personality in all its vital energy. Pars appears to have been the
Squarcione of that generation. He had been sent to Greece by the
Dilettante Society to study ruined temples and broken statues. On his
return to England he set up a school in the Strand to teach drawing from
plaster casts after the antique.
Public-domain text, read in full here on John Shaqi.
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