William E. Burton: Actor, Author, and Manager: A Sketch of his Career with Recollections of his PerformancesKeese, William L. (William Linn)
General
William E. Burton: Actor, Author, and Manager: A Sketch of his Career with Recollections of his Performances
Keese, William L. (William Linn)
Actors -- Biography; Burton, William E. (William Evans), 1802-1860; Theatrical managers -- Biography
And here we are reminded of an incident not down in the bills, which
furnished an audience with an unlooked-for and affecting episode. It
occurred during the performance of Colman's comedy of "John Bull,"
produced for the benefit of a favorite actor; Burton playing _Job
Thornberry_, and Brougham, who had volunteered for the occasion,
appearing in his capital rôle of _Dennis Brulgruddery_. Brougham was no
longer with Burton--an estrangement existed between them of which the
public was aware--and the conjunction of the two actors naturally
awakened a lively interest. It chances in the comedy that _Mary
Thornberry_ finds a refuge in her distress at the "Red Cow," and is
greatly befriended by _Dennis_. Her father, discovering her there, and
grateful for the service rendered, exclaims: "You have behaved like an
emperor to her. Give me your hand, landlord!" Now, in the play, the
reply of _Dennis_ is: "Behaved!--(_refusing his hand_)--Arrah, now, get
away with your blarney,"--but Brougham paused for a moment before
Burton's outstretched hand, and then, as if yielding to an impulse,
stretched forth his, and the two actors stood with clasped hands amidst
an outburst of applause that fairly shook the building. Of course they
were "called out" at the close, and Brougham, in the course of a
felicitous little speech, remarked--alluding, perhaps, to the success of
his Lyceum not being all he could wish--that he had "lately run off the
track"; to which Burton, in his turn, responded by saying: "Mr. Brougham
says he has 'run off the track.' Well, he _has_ run off the track; but
he hasn't burst his boiler yet!" At this speech the enthusiasm of the
audience knew no bounds; and indeed, with the exception of Mary Taylor's
farewell benefit, we can recall no theatrical occasion where more
genuine feeling was manifested.
But to return to "Dombey and Son." Mrs. Brougham was the original
_Susan Nipper_, and played the part acceptably; but all previous
_Nippers_ suffered eclipse when Caroline Chapman appeared at a later
date, giving us a _Susan_ that seemed to have sprung full-_Nippered_
from the head of Boz himself. Her inimitable acting and ring of
delivery were like a new light turned on the scene. Her flow of
spirit and alert movement, her independent air and saucy glance, her
not-to-be-put-down-under-any-circumstances manner,--all was freshness
and sparkle, and her presence was as welcome to the audience as a
summer shower to drooping wayside flowers. Miss Chapman was a great
acquisition to Burton's, and her bright individuality shone in all her
assumptions. Her line was the stage soubrette, a specialty which she
lifted entirely out of the commonplace and informed it with force and
distinction. It is a pleasure to place on record the memory of happy
hours that we owe to the performances of Caroline Chapman.
Public-domain text, read in full here on John Shaqi.
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