William Hamilton Gibson: artist—naturalist—author — John Shaqi
William Hamilton Gibson: artist—naturalist—authorAdams, John Coleman
General
William Hamilton Gibson: artist—naturalist—author
Adams, John Coleman
Gibson, W. Hamilton (William Hamilton), 1850-1896; Illustrators -- United States -- Biography
“How are your friends and dear companions, the worms? I missed them very
much after you had gone, and often found myself stepping carefully and
looking down to the right and the left in crossing the upper hall,
expecting to see some green or brown thing crawling about. The great
drawer I gave you, we call ‘the worm drawer’ yet, and I don’t know as I
shall ever open it comfortably again. The peaceable and innocent rolls
of linen and sewing lie in it now, just as they used before you had it,
but sometimes I forget and open the one under it cautiously, expecting
to see some of your treasures dropped through again, on my things. Henry
and Julie are making collections now also, and Cottie brought home, the
other day, the finest, largest specimen I ever saw, of the sort you
called ‘Polyphemus’? It was of immense size, and a very bright healthy
color, both in its body and in those little tufts that stud it all over.
He laid it away very carefully, and left it in peace a few days, and
yesterday, behold it had spun a cocoon in its box as large as a
butternut, and as strong as linen, of a beautiful reddish brown. We
shall expect the moth with great interest. The children are too
impatient to hurry up business with their worms. They are forever
opening the boxes, and lifting and handling the creatures, so that I
should think the poor things would despair of ever getting a chance to
set their houses in order, at all.”
His relations with his mother were always close and sympathetic. She was
a rare nature, refined and cultivated, with a strong literary bent and
deep religious feeling. She wrote not a little, contributing to the
pages of “The Christian Union” and other publications. She scrupulously
kept all the boy’s letters from his schooldays forward through the
years. One of the cherished mementos of her life was a little manuscript
volume, which bears the inscription: “I leave this book to my son
William.” It is a record of her study of the Bible, her grapple with the
great problems of ethical and theological thought, prayers in which she
has uttered the aspirations of a reverent spirit insistently seeking
light through all the confusion and shadow of modern speculation,
comment upon the great books which were stirring Christendom and
sounding the note of the new thought about Christ and Christianity. To
read them is to discover the sources of the son’s deep reverence and
broad, unconventional religious life. It is to feel anew the unconscious
power of motherhood in shaping the ductile spirit of childhood, and to
be certain that the light of such a spirit was a very pillar of fire to
the soul of her son.
CHAPTER II
CALLING AND ELECTION
It was between the years 1866 and 1868 that the great crisis of young
Gibson’s life occurred; and a series of influences and incidents befell,
which were decisive in settling the great questions of his life-work and
of the spirit in which he would undertake it.
Public-domain text, read in full here on John Shaqi.
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