William Hamilton Gibson: artist—naturalist—author — John Shaqi
William Hamilton Gibson: artist—naturalist—authorAdams, John Coleman
General
William Hamilton Gibson: artist—naturalist—author
Adams, John Coleman
Gibson, W. Hamilton (William Hamilton), 1850-1896; Illustrators -- United States -- Biography
The days were full of hope and determination. He had no doubts about his
ultimate success. He was a firm believer in himself. And he knew he had
found the work he loved and into which he could throw his whole
abounding life. It is a fine picture of a brave young fellow facing a
difficult career with the buoyant hopes of youth and the confidence of a
really strong nature. He was only nineteen when he wrote to the young
girl to whom he had already given his heart: “This work perfectly
fascinates me. It has always been my choice; it always will be. I shall
never be happy if I have to abandon it. I look forward to it with
delight and enthusiasm.... I do not allow myself to be too sanguine. I
expect difficulties, trials, disappointments. I am willing to work, use
all my energy, brave all manner of disappointments if in the end that
future which we so often picture to one another can be realized.”
Another letter, a few months later, tells the story of hard work and
increasing care, in apology for delay in writing to his mother. It also
introduces the matter of one of his largest commissions up to this time,
and shows how certainly he was making his way:
“Mother, I think of you just as much as ever, but I am so busy that when
evening comes my natural dislike to letter writing is increased tenfold
by fatigue. I wish I could give some correct idea of the amount of work
that I do, and of how continually I am occupied. I am dreadfully busy,
and last week and week before I worked at the office evening after
evening until nearly eight, very seldom leaving before seven. You may
perhaps form some idea when I tell you that I have got work on hand now
(all in a hurry, as fast as I can do it) amounting to over $1,000.00
(one thousand dollars). It is all from Appleton & Co. and $840.00 of it
is in one commission. It consists of twelve drawings on stone, each
stone measuring nearly four feet by three, and weighing about four
hundred pounds. I agreed to do the drawings on each stone for $70.00
which amounts as above. I have commenced and finished one stone
satisfactorily, and commenced another to-day. It takes five men to bring
the stone to my office and it is the largest size that can be used on a
power press. A ‘tremendous job’ people call it, and don’t see ‘how on
earth I manage to get at all these things.’ I believe I told you
something about it. You remember that I heard of the intention of the
Appletons to publish some mammoth botanical charts, and as it was rather
in my line I went and saw Mr. Appleton about it. He asked me if I could
draw on stone. I told him ‘yes,’ as if I had done it all my life, and
gave him my estimate. It was an estimate calculated to pay me well, and
I felt sure by previous inquiry that it was as low as he could get it
done elsewhere. It resulted as I expected and the entire job was turned
over to me.”
Public-domain text, read in full here on John Shaqi.
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