William Hamilton Gibson: artist—naturalist—author — John Shaqi
William Hamilton Gibson: artist—naturalist—authorAdams, John Coleman
General
William Hamilton Gibson: artist—naturalist—author
Adams, John Coleman
Gibson, W. Hamilton (William Hamilton), 1850-1896; Illustrators -- United States -- Biography
“Since last writing you I have enjoyed a week (or more I fear) of rare
incident and experience, my days being so full and my evenings so tired
that I have failed again in my good intentions as to frequency of
letters.
“I hurried your last letter into the mail and am somewhat in doubt
whether it reached the Queenstown post in time. Since that writing we
(which means a party of Van Ingen, Willis, Roberts, McGrath, Dunthorne
and myself) have visited successively Flushing, Rotterdam, The Hague,
Dordrecht, Scheveningen, Amsterdam and Brussels. Of course our visit has
been brief as the period of time represented has been but four days. The
picture galleries have received most of our attention at these places,
but at Dordrecht and Scheveningen we found the living pictures
unmatched by any in the respective art exhibitions. Dort is a perfect
treasure of a place, pictorially considered, and I shall live in hopes
of revisiting it in the future more at my leisure and with an eye to
‘material.’ You would have been charmed with the quaintness of this old
Dutch village with its Venice-like canals, its queer inhabitants, its
hundreds of wind-mills and picturesque old boats. We hired a boat and
guide and rowed for hours upon one of these meandering waterways--under
arched bridges beneath which we had to stoop; beneath overhanging
balconies bright with flowering plants and with an occasional saucy or
coquettish face half disclosed between the Venetian blinds at the
windows, occasionally with a giggle accompaniment or a handkerchief
manœuvered in a manner which would have done credit to a French or
Spanish coquette. The little Dutch ‘yongen’ or Deutscher ‘pups’ saluted
us with questionable slang or with stones or what-not, at every private
quay or alley-way opening on the canal and altogether our turnout with
its noisy exclamatory cargo was a great center of attraction to
contiguous neighborhoods whose windows were usually filled with curious
spectators mostly on a broad grin of Dutch proportions and typical
comeliness, and ’tis true occasionally relieved by a disclosure which
our Scotch friend Roberts assured us was ‘bonny’ and which commentary I
was pleased to verify, and which moreover was the signal of a chorus of
‘ah’s’ from our bateau that would have done credit to a West Brighton
populace at the ‘busting’ of a rocket. Our trip was occasionally varied
by a landing at some quaint quay or alley, and a rummaging visit to some
musty old bric-a-brac den or junk shop. The streets were of the queerest
in architecture and life--queer old women with brass headgear and huge
sabots or wooden shoes, and voices like a fog-horn, peddling their green
goods, their eggs, milk or whatever, their treasures suspended from
yokes, and borne with apparent pleasure. I have bought one of their huge
brass milk cans and a few other of their distinguishing paraphernalia
for our front parlor over the mantel--(a part of the foregoing was
Public-domain text, read in full here on John Shaqi.
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