William Hamilton Gibson: artist—naturalist—authorAdams, John Coleman
General
William Hamilton Gibson: artist—naturalist—author
Adams, John Coleman
Gibson, W. Hamilton (William Hamilton), 1850-1896; Illustrators -- United States -- Biography
All the next year was devoted to work upon “Sharp Eyes,” which appeared
in the late autumn of 1891. The intent and scope of the book has been
told in the author’s letter to his friend. He puts his purpose
succinctly in a paragraph of the introduction, which he quaintly
entitled “Through My Spectacles”: “‘Sharp Eyes,’ then, is, in brief, a
cordial recommendation and invitation to walk the fields and woods with
me and reap the perpetual harvest of a quiet eye, which Nature
everywhere bestows; to witness with me the strange revelations of this
wild _bal masqué_, to laugh, to admire, to study, to ponder, to
philosophize,--between the lines,--to question, and always to rejoice
and give thanks.”
Meantime, he was hard at work pushing the studies for his botany. With
the sketches he was making for this purpose, he was also making more
water-colors, sending them to the various exhibitions, and arranging
sales of his own. He was at work on new articles for the “Young People”
continuing the unexhausted vein he had opened for these pages. For older
readers he was beginning the articles on the cross-fertilization of
flowers which foreshadowed the wonderful charts and lectures with which
he delighted and informed the whole country. He had begun to lecture
too, and he notes in his journal, July 23, 1891, “At Mrs. Van Ingen’s
suggestion, I have concluded to give a series of ten familiar talks on
Nature, covering botany, entomology, and ornithology, two each week.”
This was the beginning of successive series of lectures, covering four
years. From these home talks his work in this field grew and multiplied.
Soon he was lecturing with these amazing charts before the clubs in New
York, before colleges and schools, and finally before popular audiences.
In the winter of 1893-94, he made the venture of a series of six
lectures in Hardman Hall, New York City, which netted him the handsome
sum of eight hundred and fifty dollars, and drew from the veteran
manager, Major Pond, an expression of wonder: “The news of your success
in Hardman Hall is phenomenal. I can assure you that you are the only
man in the United States who could have done such a business.”
Then the calls began to come from all over the country. The same energy,
industry, and genius which he had put into his painting and his writing
he threw with increasing intensity into this new work. In 1894 he
lectured sixty-four times. His success in the new field was instant and
complete. It was as thoroughgoing with scientific folk as it was with
the children and the plain people. The press had nothing but wonder and
commendations. It was an epoch in the popular presentation of scientific
fact and research unequaled since the days of Agassiz.
Public-domain text, read in full here on John Shaqi.
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