To this memorandum he adds the comment that such a course of study would be sufficient "for general discipline"--a remark which proves that he had not as yet any definite plan in undertaking his self-ordered task. For several years he devoted himself with great industry to the course which he had marked out. He went back to the pages of Blair's Rhetoric and to Lindley Murray's Grammar, and he read consecutively, making notes as he read, the older masters of English prose style from Roger Ascham, Sidney, Bacon, and Raleigh down to the authors of the eighteenth century, and even later. In Latin he reviewed Tacitus, Livy, and Cicero. His reading seems to have been directed less to the subject-matter than to the understanding and appreciation of style as a revelation of the writer's essential characteristics. It was, in fact, a study of psychology quite as much as a study of literature. Passing on to French, he found the literature of that language comparatively unsympathetic, and he contrasted it unfavourably with the English. He derived some pleasure from the prose of Montaigne and Bossuet, and from Corneille and Molière; but, on the whole, French poetry always seemed to him too rigid in its formal classicism to be enjoyable. Side by side with his French reading, he made the acquaintance of the early English ballad-poetry and the old romances, and, in 1823, he took up Italian, which appealed to him intensely, so that he read an extraordinary amount and made the most voluminous notes upon every author that interested him, besides writing long criticisms and argumentative letters to his friend Ticknor, full of praises of Petrarch and Dante, and defending warmly the real existence of Laura and the genuineness of Dante's passion for Beatrice. For Dante, indeed, Prescott conceived a most enthusiastic admiration, which found expression in many a letter to his friend.