Like influences yield like results. The Roman character, as moulded in the Republic's early years, was one of sternness and efficiency. It lacked gayety, warmth, and flexibility. And the New England character resembled it in all of these respects. The historic worthies of Old Rome would have been very much at ease in early Massachusetts. Cato the Censor could have hobnobbed with old Josiah Quincy, for they were temperamentally as like as two peas. It is only the Romans of the Empire who would have felt out of place in a New England environment. Horace might conceivably have found a smiling _angulus terrarum_ somewhere on the lower Hudson, but he would have pined away beside the Nashua; while to Ovid, Beacon Street would have seemed as ghastly as the frozen slopes of Tomi. And when we compare the native period of Roman literature with the early years of New England's literary history, the parallel becomes more striking still. In New England, as in Rome, beneath all the forms of a self-governing and republican State, there existed a genuine aristocracy whose prestige was based on public service of some sort; and in New England, as in Rome, public service had in it a theocratic element. In civil life, the most honourable occupation for a free citizen was to share in this public service. Hence, the disciplines which had a direct relation to government were the only civic disciplines to be held in high consideration. Such an attitude profoundly affected the earliest attempts at literature. The two literary or semi-literary pursuits which have a close relation to statesmanship are oratory and history--oratory, which is the statesman's instrument, and history, which is in part the record of his achievements. Therefore, at Rome, a line of native orators arose before a native poet won a hearing, and therefore, too, the annalists and chroniclers precede the dramatists.