Nelson, William, 1816-1887; Publishers and publishing
The social entertainments and lectures provided by William Nelson at an
early stage for his employés have already been noticed; but in the
spring of 1868 he extended his generous sympathy over an ampler field,
and organized a _fête_ for the whole journeymen printers and
stereotypers of Edinburgh. The invitation met with a cordial response,
and the appearance presented by the assembled guests in the galleries of
the Museum of Science and Art was the theme of admiring comment. They
were summoned to this novel social gathering by one who justly claimed
recognition as an employer “who set a high value upon whatever is
calculated to foster kindly feelings between man and man.” The
invitation said: “For one evening let us lay aside care or irksome duty,
and come out with those we love best, and let us look each other fairly
in the face. In the matter of head we do not much differ; at heart we
are agreed. We need to have the bow unstrung occasionally. Let us do so
in company for once, and see if we can help each other to a happy
evening.” The answer to this was the assembly of upwards of a thousand
workmen, with their wives and sweethearts, in the Industrial Museum, to
listen to a lecture by Mr. W. H. Davenport Adams, on the noble art in
the service of which they were enlisted; and to enjoy the humour and
pathos of some of Scotland’s choicest national songs, including Burns’s
proud protest, which could there be appreciated without any thought of
social wrong--“A man’s a man for a’ that!” The _Scottish Typographical
Circular_, in its comments on this unique gathering, remarked: “Here
were a thousand men, nearly all in superfine black coats and spotless
shirt-fronts; a thousand women in tasteful dresses and bonnets of the
latest mode, setting off the comely features of the printers’ wives, or
the fresh, pretty faces of their sweethearts; and in all this great mass
of the ‘lower orders’ not a word out of joint; not a gesture of
impatience; no crowding, jostling, or selfish preferring of one’s own
enjoyment; nothing but courtesy and that perfect good breeding which
prompts men to give their neighbour’s comfort the precedence of their
own convenience.” It was a gathering that Scotland might be proud of,
whether we assign to the host or the guests the chief prominence. The
matter of dress, to which the critic so specially directed attention,
was not unworthy of note as an evidence of provident thrift, and of the
self-respect which is nowhere more fitting than in the skilled artisan.
Public-domain text, read in full here on John Shaqi.
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