William of Malmesbury's Chronicle of the Kings of England: From the earliest period to the reign of King StephenWilliam, of Malmesbury
History
William of Malmesbury's Chronicle of the Kings of England: From the earliest period to the reign of King Stephen
William, of Malmesbury
Great Britain -- History -- Norman period, 1066-1154; Great Britain -- History -- To 1066; Middle Ages -- Sources
There was a statue in the Campus Martius near Rome, I know not whether
of brass or iron, having the forefinger of the right hand extended,
and on the head was written, “Strike here.” The men of former times
supposing this should be understood as if they might find a treasure
there, had battered the harmless statue, by repeated strokes of a
hatchet. But Gerbert convicted them of error by solving the problem
in a very different manner. Marking where the shadow of the finger
fell at noon-day, when the sun was on the meridian, he there placed
a post; and at night proceeded thither, attended only by a servant
carrying a lanthorn. The earth opening by means of his accustomed arts,
displayed to them a spacious entrance. They see before them a vast
palace with golden walls, golden roofs, every thing of gold; golden
soldiers amusing themselves, as it were, with golden dice; a king of
the same metal, at table with his queen; delicacies set before them,
and servants waiting; vessels of great weight and value, where the
sculpture surpassed nature herself. In the inmost part of the mansion,
a carbuncle of the first quality, though small in appearance, dispelled
the darkness of night. In the opposite corner stood a boy, holding a
bow bent, and the arrow drawn to the head. While the exquisite art of
every thing ravished the eyes of the spectators, there was nothing
which might be handled though it might be seen: for immediately,
if any one stretched forth his hand to touch any thing, all these
figures appeared to rush forward and repel such presumption. Alarmed
at this, Gerbert repressed his inclination: but not so the servant.
He endeavoured to snatch off from a table, a knife of admirable
workmanship; supposing that in a booty of such magnitude, so small
a theft could hardly be discovered. In an instant, the figures all
starting up with loud clamour, the boy let fly his arrow at the
carbuncle, and in a moment all was in darkness; and if the servant had
not, by the advice of his master, made the utmost despatch in throwing
back the knife, they would have both suffered severely. In this
manner, their boundless avarice unsatiated, they departed, the lantern
directing their steps. That he performed such things by unlawful
devices is the generally received opinion. Yet, however, if any one
diligently investigate the truth, he will see that even Solomon, to
whom God himself had given wisdom, was not ignorant of these arts: for,
as Josephus relates,[208] he, in conjunction with his father, buried
vast treasures in coffers, which were hidden, as he says, in a kind of
necromantic manner, under ground: neither was Hyrcanus, celebrated for
his skill in prophecy and his valour; who, to ward off the distress of
a siege, dug up, by the same art, three thousand talents of gold from
the sepulchre of David, and gave part of them to the besiegers; with
the remainder building an hospital for the reception of strangers.
Public-domain text, read in full here on John Shaqi.
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