William of Malmesbury's Chronicle of the Kings of England: From the earliest period to the reign of King StephenWilliam, of Malmesbury
History
William of Malmesbury's Chronicle of the Kings of England: From the earliest period to the reign of King Stephen
William, of Malmesbury
Great Britain -- History -- Norman period, 1066-1154; Great Britain -- History -- To 1066; Middle Ages -- Sources
Having thus noticed the multifarious topics embraced by Malmesbury,
it may be necessary to advert to his style: although, after what has
been premised, it might seem almost superfluous to add, that it admits
nearly of as much variety as his facts. This probably arises from that
undeviating principle which he appears to have laid down, that his
chief efforts should be exerted to give pleasure to his readers; in
imitation of the rhetoricians, whose first object was to make their
audience kindly disposed, next attentive, and finally anxious to
receive instruction.[8] Of his style, therefore, generally speaking, it
may not be easy to give a perfect description. To say to which Roman
author it bears the nearest resemblance, when he imitated almost every
one of them, from Sallust to Eutropius, would be rash indeed. How shall
we bind this classical Proteus, who occasionally assumes the semblance
of Persius, Juvenal, Horace, Lucan, Virgil, Lucretius; and who never
appears in his proper shape so long as he can seize the form of an
ancient classic?[9] Often does he declare that he purposely varies
his diction, lest the reader should be disgusted by its sameness;
anxiously careful to avoid repetition, even in the structure of his
phrases. It may be said, however, that generally, in his earlier works,
(for he was apparently very young when he wrote his History of the
Kings,) his style is rather laboured; though, perhaps, even this may
have originated in an anxiety that his descriptions should be full;
or, to use his own expression, that posterity should be wholly and
perfectly informed. That his diction is highly antithetical, and his
sentences artfully poised, will be readily allowed; and perhaps the
best index to his meaning, where he may be occasionally obscure, is the
nicely-adjusted balance of his phrase. That he gradually improved his
style, and in riper years, where he describes the transactions of his
own times, became terse, elegant, and polished, no one will attempt to
dispute; and it will be regretted, that this interesting portion of
history should break off abruptly in the midst of the contest between
the empress Maud and Stephen.
Public-domain text, read in full here on John Shaqi.
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