It is plain that religion made up a large, interesting, and important part of life in these villages in which William Penn was getting his first impressions of the world. All about were great forests, whose shadows invited him to seclusion and meditation. All the news was of great battles, most of them fought in a religious cause, which even a lad could appreciate, and towards which he would readily take an attitude of stout partisanship. The boy was deeply affected by these surroundings. "I was bred a Protestant," he said long afterwards, "and that strictly, too." Trained as he was in Puritan habits of introspection, he listened for the voice of God, and heard it. Thus the tone of his life was set. There were moments in his youth when "the world," as the phrase is, attracted him; there were times in his great career when he seemed, and perhaps was, disobedient to this heavenly vision; but, looking back from the end of his life to this beginning, "as a tale that is told," it is seen to be lived throughout in the light of the glory which shone in his room at Wanstead. William Penn from that hour was a markedly religious man. Thereafter, nothing was so manifest or eminent about him as his religion. II AT OXFORD: INFLUENCE OF THOMAS LOE On the 22d of April, 1661, we get another glimpse of William. Mr Pepys, having risen early on the morning of that day, and put on his velvet coat, and made himself, as he says, as fine as he could, repaired to Mr. Young's, the flag-maker, in Cornhill, to view the procession wherein the king should ride through London. There he found "Sir W. Pen and his son, with several others." "We had a good room to ourselves," he says, "with wine and good cake, and saw the show very well." The streets were new graveled, and the fronts of the houses hung with carpets, with ladies looking out of all the windows; and "so glorious was the show with gold and silver, that we were not able to look at it, our eyes at last being so overcome." This was a glory very different from that which the lad had seen, five or six years before, in his room. The world was here presenting its attractions in competition with the "other world" of the earlier vision. The contrast is a symbol of the contention between the two ideals, into which William was immediately to enter.