Dramatists, English -- Early modern, 1500-1700 -- Biography; Shakespeare, William, 1564-1616; Stratford-upon-Avon (England) -- Biography
The men of brutal force have, since human tradition existed, shone
alone in the empyrean of history; theirs was the only supremacy.
Under the various names of kings, emperors, captains, chiefs,
princes,--summed up in the word heroes,--this group of an apocalypse
was resplendent. They were all dripping with victories. Terror
transformed itself into acclamation to salute them. They dragged after
them an indescribable tumultuous flame. They appeared to man in a
disorder of horrible light. They did not light up the heavens,--they
set them on fire. They looked as if they meant to take possession of
the Infinite. Rumbling crashes were heard in their glory. A red glare
mingled with it. Was it purple? Was it blood? Was it shame? Their light
made one think of the face of Cain. They hated one another. Flashing
shocks passed from one to the other; at times these enormous planets
came into collision, striking out lightnings. Their look was furious.
Their radiance stretched out into swords. All that hung terrible above
us.
That tragic glare fills the past. To-day it is in full process of
waning.
There is decline in war, decline in despotism, decline in theocracy,
decline in slavery, decline in the scaffold. The blade becomes shorter,
the tiara is fading away, the crown is simplified; war is raging, the
plume bends lower, usurpation is circumscribed, the chain is lightened,
the rack is out of countenance. The antique violence of the few against
all, called right divine, is coming to an end. Legitimacy, the grace of
God, the monarchy of Pharamond, nations branded on the shoulder with
the _fleur-de-lis_, the possession of peoples by the right of birth,
the long series of ancestors giving right over the living,--these
things are yet striving in some places; at Naples, in Prussia, etc; but
they are struggling rather than striving,--it is death that strains for
life. A stammering which to-morrow will be utterance, and the day after
to-morrow a full declaration, proceeds from the bruised lips of the
serf, of the vassal, of the _prolétaire_, of the pariah. The gag breaks
up between the teeth of the human race. The human race has had enough
of the sorrowful path, and the patient refuses to go farther.
From this very time certain forms of despotism are no longer possible.
The Pharaoh is a mummy, the sultan a phantom, the Cæsar a counterfeit.
This stylite of the Trajan columns is anchylosed on its pedestal; it
has on its head the excrement of free eagles; it is nihility rather
than glory; the bands of the sepulchre fasten this crown of laurels.
Public-domain text, read in full here on John Shaqi.
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