William Shakespeare: A Critical StudyBrandes, Georg
General
William Shakespeare: A Critical Study
Brandes, Georg
Shakespeare, William, 1564-1616 -- Criticism and interpretation
Next comes the consciousness of superiority in Richard, and the lust
of power which springs from it. Shakespeare cannot have lacked the
consciousness of his personal superiority, and, like every man of
genius, he must have had the lust of power in his soul, at least as
a rudimentary organ. Ambitious he must assuredly have been, though
not after the fashion of the actors and dramatists of our day. Their
mere jugglery passes for art, while his art was regarded by the great
majority as mere jugglery. His artistic self-esteem received a check in
its growth; but none the less there was ambition behind the tenacity
of purpose which in a few years raised him from a servitor in the
theatre to a shareholder and director, and which led him to develop
the greatest productive talent of his country, till he outshone all
rivals in his calling, and won the appreciation of the leaders of
fashion and taste. He now transposed into another sphere of life, that
of temporal rule, a habit of mind which was his own. The instinct
of his soul, which never suffered him to stop or pause, but forced
him from one great intellectual achievement to another, restlessly
onward from masterpiece to masterpiece--the fierce instinct, with its
inevitable egoism, which led him in his youth to desert his family, in
his maturity to amass property without any tenderness for his debtors,
and _(per fas et nefas_) to attain his modest patent of gentility--this
instinct enables him to understand and feel that passion for power
which defies and tramples upon every scruple. And all the other
characteristics (for example, the hypocrisy, which in the Chronicle
holds the foremost place) he uses as mere instruments in the service of
ambition.
Note how he has succeeded in individualising this passion. It is
hereditary. In the Second Part of _Henry VI_. (iii. I) Richard's
father, the Duke of York, says--
"Let pale-fac'd fear keep with the mean-born man,
And find no harbour in a royal heart.
Faster than spring-time showers comes thought on thought,
And not a thought but thinks on dignity.
. . . . . . . .
Well, nobles, well; 't is politicly done,
To send me packing with an host of men:
I fear me, you but warm the starved snake,
Who, cherish'd in your breasts, will sting your hearts."
In the Third Part of _Henry VI_., Richard shows himself the true son of
his father. His brother runs after the smiles of women; he dreams only
of might and sovereignty. If there was no crown to be attained, the
world would have no joy to offer him. He says himself (iii. 2)--
Public-domain text, read in full here on John Shaqi.
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