William Shakespeare: A Critical StudyBrandes, Georg
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William Shakespeare: A Critical Study
Brandes, Georg
Shakespeare, William, 1564-1616 -- Criticism and interpretation
Bacon did not succeed in inducing Elizabeth to restore Essex to his
former position in her favour. In August, a couple of months after the
date of the sentence, he was placed at full liberty; but access to
Elizabeth's person was denied him, and he was bidden to regard himself
as still in disgrace. The consequence was that few now came about him
except the members of his own family. Add to this, that he was over
head and ears in debt, and that his monopoly of sweet wines, which
had been his chief source of income, and on the renewal of which his
financial rescue depended, ran out in the following month.
He wavered between fear and hope, and was forever "shifting from sorrow
and repentance to rage and rebellion so suddenly, as well proveth him
devoid of good reason as of right mind." At one moment he is appealing
to the Queen with the deepest humility in flattering letters, and
at the next he is speaking of her--so his friend Sir John Harington
reports--as "became no man who had _mens sana in corpore sano_."
Then came the catastrophe. His sources of income were cut off, and his
hope of the Queen's relenting was broken. He was convinced--without
reason, as it appears--that his enemies at court, who had deprived him
of his wealth, had now laid a plot to deprive him of his life as well.
He imagined, too, that Sir Robert Cecil was weaving intrigues to bring
about the nomination of the Infanta of Spain as Elizabeth's successor;
and in his desperation he began to nurse the illusion that it was as
necessary for the welfare of the state as for his own that he should
gain forcible access to the Queen and secure the banishment from court
of her present advisers. In his dread of being once more placed under
arrest, and this time sent to the Tower, he determined, in February
1601, to carry out a plan he had been hatching, for taking the court by
storm.
Public-domain text, read in full here on John Shaqi.
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