Nic-nacs there were few or none. Two or three dull-faced miniature mirrors, looking all frame, hung heavily against the pannelling, and even a cross-bow, several rapiers, one or two matchlocks, and other weapons of ancient fashion, were to be observed; whilst, to complete the picture, on the ample hearth (although the room constituted what in the present day would have been called the withdrawing-room of the mansion) sprawled several of the smaller dogs then used in field sports, and an enormous hound, sufficiently large and powerful to pull down a stag; and in the enjoyment of the sight and flavour of the good wines placed before him, sat the portly form of the master of the house. Beside the open window stood the youthful cavalier Walter Arderne, and on one of the oaken lockers or benches in the embrazure of the casement, was seated Charlotte Clopton. As she leant her cheek upon her hand, one moment she gazed abstractedly into the bowery garden, the next her eyes wandered into the softened light of the interior of the apartment, and rested upon the features of her deliverer, young Shakespeare. This youth stood beside the spinnet, and (unconscious of the sensation his narrative produced upon the ears and hearts of his hearers, and of the beauty of the description) was giving them the plot of a tale in verse which he had that morning been perusing, when the lady's danger interrupted him. He related the story briefly, but in such language that his listeners were wrapt by the recital. He even accompanied his description by some action, and where he wished to impress his hearers more especially he endeavoured to recollect and repeat the lines of the poem, piecing out the story, when memory failed him, with such verses as he made for the nonce. In addition to these, the principal personages of our chapter, there was one other individual in the room, who (albeit he occupied the background of the scene, being crouched up in a corner) is also deserving of a description. This was a sort of hanger-on, or appendage to the establishments of the old families of condition in England not then quite extinct--a sort of good familiar creature, attached to the master of the house principally, and indifferently familiar with all and sundry, in doors and out--a sort of humorist--a privileged, seeming half idiotic, though in reality extremely shrewd and clever companion, who used his folly "like a stalking-horse, under cover of which, he shot his wit;" but who was indeed more the friend than the fool of the family, and oft-times consulted on matters of moment by the good knight.