William Shakespeare: His Homes and HauntsBensusan, S. L. (Samuel Levy)
General
William Shakespeare: His Homes and Haunts
Bensusan, S. L. (Samuel Levy)
Shakespeare, William, 1564-1616 -- Homes and haunts
Of the landmarks that Shakespeare knew, the Great Fire of London
destroyed many, and Time, dealing in rather gentler fashion, has effaced
the most of those that the fire spared. A map made by Peter Van den
Keere in 1593 shows us the old London Bridge, with the Church of St.
Saviour's, then known as "St. Marye Overyes," facing the river on the
Southwark side. This church, which would have been well known to the
poet, is, with the exception of Westminster Abbey, the only ancient
example of pure Gothic architecture in London. Its earliest name would
have been St. Mary Over Rye, rye being perhaps the old name for ferry.
When it was built there could have been no London Bridge, and St. Mary's
was built upon the site of a still older priory founded by two Norman
knights. In this church one finds a stone in the centre aisle marked
"Edmond Shakespeare. Died December 1607."
=ANNE HATHAWAY'S COTTAGE=
This marks the mortal remains of a brother of the poet, said by some to
have been concerned with the business side of his undertakings, and
certainly his companion in London for some time. In St. Mary Over Rye or
St. Saviour's, King James I. of Scotland was married; here the poet
Gower, with whose works Shakespeare was undoubtedly familiar, was
buried, and his monument is a fine one with many inscriptions, including
one that describes him as "Anglorum Poeta celeberrimus." Beyond "St.
Marye Overyes" on Van den Keere's map one sees the famous "Bears House,"
and below that the "Play House," and beyond this the town merges into
gardens stretching up to "Lambeth Marsh." Across the river we see "More
Feyldes" and "Spittlefeyldes," big open spaces, and then Islington, but
there is no sign of another theatre. Had the worthy cartographer known
what was to give his map an abiding interest three centuries after its
making, he would doubtless have given more thought to the playhouses.
To-day the Church of St. Saviour's stands well-nigh smothered by
factories, shops, and small houses. London, a muddy stream, has
overflown its banks and spread on that side far into regions where birds
and beasts of the chase flew or ran in the poet's day. Tradition tells
us that the Thames sometimes rose above its boundaries and flooded the
graveyard of St. Mary's, and in like fashion the town itself has spread
beyond all limits, until the south side, within a very restricted area,
holds more than all London held in the poet's day. Doubtless the old
church fared better at the hands of the river than the town does now,
for three hundred years ago the hands of Father Thames were clean; the
river still ran sparkling under London Bridge, then a comparatively low
structure, with houses on either side of it, like the Ponte Vecchio in
Florence.
Public-domain text, read in full here on John Shaqi.
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