William Shakespeare: His Homes and HauntsBensusan, S. L. (Samuel Levy)
General
William Shakespeare: His Homes and Haunts
Bensusan, S. L. (Samuel Levy)
Shakespeare, William, 1564-1616 -- Homes and haunts
So, leaving Miranda and Prospero to console us, the greatest dramatist
of all time laid down his pen. Many a critic and lover of the poet has
seen in the last words of Prospero, spoken when he gives up his magic
wand, a reflection of the poet's mind. His life-work, too, was done.
Unaided, save by his own genius, he had moved from the obscurity of
Warwickshire's by-ways to a place by the side of the Immortals. In all
the firmament of poetry there was no star to outshine his. It may be he
knew that the years still left to him were likely to be few, and that
his heart turned more from the bustle of a great city's ways to the
quiet fields and lanes wherein his earliest inspiration had come to him.
He had written a few scenes of plays that other men would seem to have
designed and completed, but these fragments are of small importance and
may be passed over here. Whatever he had given to lend a lustre to the
work of his contemporaries would seem to have afforded him little
concern. Henceforward his life was to be spent far from the busy centre
of theatrical life, though he was compelled to come to town at short
intervals in the first two or three years following his retirement, and
there must have been ample atonement for the trouble, in the way of
association with old friends who still laboured in the metropolis.
When the poet passed into voluntary retirement he had but five years to
live, but his genius was still ripe. Did he elect deliberately to end
his labours before the first touch of weakness could reach them? Had he
realised his ambition, even as Prospero, who moves with such supreme
dignity through the last play? Was he content to have restored the
family fortunes? Was it to do this, to take full rank among the
gentlemen of Warwickshire, that he had striven so long? There is no
satisfactory answer to these questions. The records are silent as the
grave itself, and if the past has proved so silent on all points that
relate to the growth and trend of the poet's mind outside the domain of
his work, what may we hope from the future?
CHAPTER XI
BACK AGAIN IN STRATFORD
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account