to the mill, find novels and stories, translate them, and forward them by
his trusted kinsman Kempe to others to ship-shape them and fit them for
the stage? May not the name of Sherley have oozed out amongst “the
playwrights,” and thence “_Henry_ Sherley, who excelled in that faculty,”
been spoken of as the man who wrote them. Sir Anthony keeps up his
friendship with Anthony Bacon, whom no doubt he knew in earlier days at
Court. How fond they all were of the name of Anthony. A greater
knowledge of men and manners and languages and the leading men and
courtiers of the day or such a master of travel existed not in his time.
Strange also is it that “The Travailes of the three English Brothers, Sir
Thomas, Sir Anthony, and Mr. Robert Sherley,” should be presented on the
stage by this same company of which Kempe was a member. How were they
acquainted with them?
These are all singular coincidences, and as I write I have been perusing
Donnelly, and I find nothing to contradict, but much to back up my
theories. His chapter ix. vol. i. p. 171, also x. and others passim,
might fit Sherley as well as Bacon. (Shylock, p. 224.) Sherley borrows
money wherever he could get credit and at other times spends it freely.
He lends out money gratis, and brings down
The rate of usance here with us in Venice.
Signior Antonio, many a time and oft
In the Rialto you have rated me
About my monies and my usances.
Sir Anthony, has he not often “sat on the Rialto”? has he not often
watched the Argosies come “to road”? Has he not had ventures everywhere?
Read over The Merchant of Venice, and say if it could possibly have been
written but by one resident there and half Italian in his knowledge and
familiarity with people and scenes in Italy itself. What is Antonio
everywhere but Anthony “writ new”? See Sonnets, lxxvi.:
Why write I still all _one_, ever the same,
And keep invention in a noted weed,
That every word doth almost tell my name,
Showing their birth and where they did proceed?
See also Sonnets passim illustrating and explaining “my papers yellowed
with their age,” “my muse,” “my verse.”
What are the names of places mentioned? Tripolis, Mexico, England,
Lisbon, Barbary, India, “where his argosies with portly sail,” “the
pageants of the sea.” What in Othello? Cyprus on the brow of the sea
“stand ranks of people and they cry a sail.” May—nay, must have
witnessed it in person.
Public-domain text, read in full here on John Shaqi.
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