English drama (Comedy); English drama -- 17th century
_Prue._ O miss, miss! your father, it seems, is just now arrived, and
is here coming in upon you.
_Hip._ My father.
_Enter_ Don DIEGO _and_ Mrs. CAUTION.
_Don._ My daughter and a man!
_Mrs. Caut._ A man! a man in the house!
_Ger._ Ha! what mean these?--a Spaniard!
_Hip._ What shall I do? Stay--Nay, pray stir not from me; but lead me
about, as if you led me a corant.[58] [_Leads her about._
_Don._ Is this your government, sister? and this your innocent charge,
that hath not seen the face of a man this twelvemonth? _en hora mala!_
_Mrs. Caut._ O, sure, it is not a man! it cannot be a man! [_Puts on
her spectacles._
_Don._ It cannot be a man! if he be not a man, he's a devil. He has her
lovingly by the hand too, _valgame el cielo!_
_Hip._ Do not seem to mind them, but dance on, or lead me about still.
_Ger._ What d'ye mean by it? [_Apart to_ HIPPOLITA.
_Don._ Hey, they are frolic, a-dancing!
_Mrs. Caut._ Indeed, they are dancing, I think.--Why, niece!
_Don._ Nay, hold a little: I'll make 'em dance in the devil's name; but
it shall not be _la gallarda_. [_Draws his sword._
_Mrs. Caut._ O niece! why niece! [Mrs. CAUTION _holds him._
_Ger._ Do you hear her? what do you mean? [_Apart to_ HIPPOLITA.
_Hip._ Take no notice of them; but walk about still, and sing a little,
sing a corant.
_Ger._ I can't sing: but I'll hum, if you will.
_Don._ Are you so merry? well I'll be with you: _en hora mala!_
_Mrs. Caut._ O niece, niece! why niece! oh--
_Don._ Why, daughter, my dainty daughter! My shame! my ruin! my plague!
[_Struggling, gets from_ Mrs. CAUTION, _goes towards them with his
sword drawn._
_Hip._ Mind him not, but dance and sing on.
_Ger._ A pretty time to dance and sing, indeed, when I have a Spaniard
with a naked Toledo at my tail! No, pray excuse me, miss, from fooling
any longer.
_Hip._ [_Turning about._] O, my father, my father! poor father! you are
welcome; pray give me your blessing.
_Don._ My blessing, _en hora mala!_
_Hip._ What! am I not your daughter, sir?
_Don._ My daughter! _mi mal! mi muerte!_
_Hip._ My name's Hippolita, sir: I don't own your Spanish names. But,
pray father, why do you frighten one so? you know I don't love to see a
sword: what do you mean to do with that ugly thing out?
_Don._ I'll show you. _Traidor! ladron de mi honra!_ thou diest. [_Runs
at_ GERRARD.
_Ger._ Not if I can help it, good Don. But by the names you give me, I
find you mistake your man: I suppose some Spaniard has affronted you.
[_Draws._
_Don._ None but thee, _ladron!_ and thou diest for't. [_Fight._
_Mrs. Caut._ Oh! oh! oh!--help! help! help!
_Hip._ O--what, will you kill my poor dancing-master? [_Kneels._
_Don._ A dancing-master! he's a fencing-master rather, I think. But is
he your dancing-master? umph--
_Ger._ So much wit and innocency were never together before. [_Aside._
_Don._ Is he a dancing-master? [_Pausing._
_Mrs. Caut._ Is he a dancing-master? He does not look like a
dancing-master.
Public-domain text, read in full here on John Shaqi.
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