English drama (Comedy); English drama -- 17th century
_Hip._ Pish!--you don't know a dancing-master: you have not seen one
these threescore years, I warrant.
_Mrs. Caut._ No matter: but he does not look like a dancing-master.
_Don._ Nay, nay, dancing-masters look like gentlemen enough, sister:
but he's no dancing-master, by drawing a sword so briskly. Those
tripping outsides of gentlemen are like gentlemen enough in everything
but in drawing a sword; and since he is a gentleman, he shall die by
mine. [_They fight again._
_Hip._ Oh! hold! hold!
_Mrs. Caut._ Hold! hold!--Pray, brother, let's talk with him a little
first; I warrant you I shall trap him; and if he confesses, you may
kill him; but those that confess, they say, ought to be hanged--Let's
see--
_Ger._ Poor Hippolita! I wish I had not had this occasion of admiring
thy wit; I have increased my love, whilst I have lost my hopes; the
common fate of poor lovers. [_Aside._
_Mrs. Caut._ Come, you are guilty, by that hanging down of your head.
Speak: are you a dancing-master? Speak, speak; a dancing-master?
_Ger._ Yes, forsooth, I am a dancing-master; ay, ay--
_Don._ How does it appear?
_Hip._ Why, there is his fiddle, there upon the table, father.
_Mrs. Caut._ No, busybody, but it is not:--that is my nephew's fiddle.
_Hip._ Why, he lent it to my cousin: I tell you it is his.
_Mrs. Caut._ Nay, it may be, indeed; he might lend it to him for aught
I know.
_Don._ Ay, ay: but ask him, sister, if he be a dancing-master, where.
_Mrs. Caut._ Pray, brother, let me alone with him, I know what to ask
him, sure.
_Don._ What, will you be wiser than I? nay, then stand away. Come, if
you are a dancing-master, where's your school? _Donde? donde?_
_Mrs. Caut._ Why, he'll say, may be, he has ne'er a one.
_Don._ Who asked you, nimble chaps? So you have put an excuse in his
head.
_Ger._ Indeed, sir, 'tis no excuse: I have no school.
_Mrs. Caut._ Well; but who sent you? how came you hither?
_Ger._ There I am puzzled indeed. [_Aside._
_Mrs. Caut._ How came you hither, I say? how--
_Ger._ Why, how, how should I come hither?
_Don._ Ay, how should he come hither? Upon his legs.
_Mrs. Caut._ So, so! now you have put an excuse in his head too, that
you have, so you have; but stay--
_Don._ Nay, with your favour, mistress, I'll ask him now.
_Mrs. Caut._ Y'facks, but you shan't! I'll ask him, and ask you no
favour, that I will.
_Don._ Y'fackins, but you shan't ask him! if you go there too, look
you, you prattle-box you, I'll ask him.
_Mrs. Caut._ I will ask him, I say!--come!
_Don._ Where?
_Mrs. Caut._ What!
_Don._ Mine's a shrewd question.
_Mrs. Caut._ Mine's as shrewd as yours.
_Don._ Nay, then, we shall have it.--Come, answer me; where's your
lodging? come, come, sir.
_Mrs. Caut._ A shrewd question, indeed! at the Surgeons'-arms, I
warrant you; for 'tis spring-time, you know.
_Don._ Must you make lies for him?
_Mrs. Caut._ But come, sir; what's your name?--answer me to that; come.
Public-domain text, read in full here on John Shaqi.
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