English drama (Comedy); English drama -- 17th century
_Hip._ A coach and six! a coach and six, do you say? nay, then I see
you are resolved to carry me away; for a coach and six, though there
were not a man but the coachman with it, would carry away any young
girl of my age in England:--a coach and six!
_Ger._ Then you will be sure to be ready to go with me?
_Hip._ What young woman of the town could ever say no to a coach and
six, unless it were going into the country?--A coach and six! 'tis not
in the power of fourteen years old to resist it.
_Ger._ You will be sure to be ready?
_Hip._ You are sure 'tis a coach and six?
_Ger._ I warrant you, miss.
_Hip._ I warrant you then they'll carry us merrily away:--a coach and
six!
_Ger._ But have you charmed your cousin the monsieur (as you said you
would) that he in the mean time say nothing to prevent us?
_Hip._ I warrant you.
_Re-enter_ Don DIEGO; Mrs. CAUTION _pressing in after him._
_Mrs. Caut._ I will come in.
_Don._ Well, I hope by this time you have given her full instructions;
you have told her what and how to do, you have done all.
_Ger._ We have just done indeed, sir.
_Hip._ Ay, sir, we have just done, sir.
_Mrs. Caut._ And I fear just undone, sir.
_Ger._ D'ye hear that damned witch? [_Aside to_ HIPPOLITA.
_Don._ Come, leave your censorious prating; thou hast been a false,
right woman thyself in thy youth, I warrant you.
_Mrs. Caut._ I right! I right! I scorn your words, I'd have you to
know, and 'tis well known. I right! no, 'tis your dainty minx, that
Jillflirt, your daughter here, that is right; do you see how her
handkerchief is ruffled, and what a heat she's in?
_Don._ She has been dancing.
_Mrs. Caut._ Ay, ay, Adam and Eve's dance, or the beginning of the
world; d'ye see how she pants?
_Don._ She has not been used to motion.
_Mrs. Caut._ Motion! motion! motion d'ye call it? no indeed, I kept her
from motion till now: motion with a vengeance!
_Don._ You put the poor bashful girl to the blush, you see, hold your
peace.
_Mrs. Caut._ 'Tis her guilt, not her modesty, marry!
_Don._ Come, come, mind her not, child.--Come, master, let me see her
dance now the whole dance roundly together; come, sing to her.
_Ger._ Faith; we shall be discovered after all; you know I cannot sing
a note, miss. [_Aside to_ HIPPOLITA.
_Don._ Come, come, man.
_Hip._ Indeed, father, my master's in haste now; pray let it alone till
anon at night, when, you say, he is to come again, and then you shall
see me dance it to the violin; pray stay till then, father.
_Don._ I will not be put off so; come, begin.
_Hip._ Pray, father.
_Don._ Come, sing to her; come, begin.
_Ger._ Pray, sir, excuse me till anon, I am in some haste.
_Don._ I say, begin, I will not excuse you: come, take her by the hand,
and about with her.
_Mrs. Caut._ I say, he shall not take her by the hand, he shall touch
her no more; while I am here, there shall be no more squeezing and
tickling her palm. Good Mr. Dancing-master, stand off. [_Thrusts_
GERRARD _away._
Public-domain text, read in full here on John Shaqi.
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