English drama (Comedy); English drama -- 17th century
_Don._ Get you out, Mrs. Impertinence.--[_To_ GERRARD.] Take her by the
hand, I say.
_Mrs. Caut._ Stand off, I say. He shall not touch her, he has touched
her too much already.
_Don._ If patience were not a Spanish virtue, I would lay it aside now:
I say, let 'em dance.
_Mrs. Caut._ I say, they shall not dance.
_Hip._ Pray, father, since you see my aunt's obstinacy, let us alone
till anon, when you may keep her out.
_Don._ Well then, friend, do not fail to come.
_Hip._ Nay, if he fail me at last--
_Don._ Be sure you come, for she's to be married to-morrow:--do you
know it?
_Ger._ Yes, yes, sir.--Sweet scholar, your humble servant, till night;
and think in the mean time of the instructions I have given you, that
you may be the readier when I come.
_Don._ Ay, girl, be sure you do,--and do you be sure to come.
_Mrs. Caut._ You need not be so concerned, he'll be sure to come I
warrant you; but if I could help it, he should never set foot again in
the house.
_Don._ You would frighten the poor dancing-master from the house,--but
be sure you come for all her.
_Ger._ Yes, sir.--[_Aside._] But this jade will pay me when I am gone.
_Mrs. Caut._ Hold, hold, sir, I must let you out, and I wish I could
keep you out. He a dancing-master! he's a chouse, a cheat, a mere
cheat, and that you'll find.
_Don._ I find any man a cheat! I cheated by any man! I scorn your
words.--I that have so much Spanish care, circumspection, and prudence,
cheated by a man! Do you think I, who have been in Spain, look you, and
have kept up my daughter a twelve month, for fear of being cheated of
her, look you? I cheated of her!
_Mrs. Caut._ Well, say no more. [_Exeunt_ Don DIEGO, HIPPOLITA, Mrs.
CAUTION, _and_ PRUE.
_Ger._ Well, old Formality, if you had not kept up your daughter, I am
sure I had never cheated you of her.
The wary fool is by his care betrayed,
As cuckolds by their jealousy are made.
[_Exit._
ACT THE FOURTH.
SCENE I.--_A Room in_ Don DIEGO'S _House._
_Enter_ Monsieur de PARIS _without a peruke, with a Spanish
hat, a Spanish doublet, stockings, and shoes, but in
pantaloons, a waist-belt, and a Spanish dagger in it, and a
cravat about his neck._--HIPPOLITA _and_ PRUE _behind laughing._
_Mons._ To see wat a fool love do make of one, _jarni!_ It do
metamorphose de brave man in de beast, de sot, de animal.
_Hip._ Ha! ha! ha!
_Mons._ Nay, you may laugh, 'tis ver vell, I am become as ridicule for
you as can be, _morbleu!_ I have deform myself into a ugly Spaniard.
_Hip._ Why, do you call this disguising yourself like a Spaniard, while
you wear pantaloons still, and the cravat?
_Mons._ But is here not the double doublet, and the Spanish dagger
_aussi_?
_Hip._ But 'tis as long as the French sword, and worn like it. But
where's your Spanish beard, the thing of most consequence?
Public-domain text, read in full here on John Shaqi.
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