English drama (Comedy); English drama -- 17th century
The second Dutch war, the most disgraceful war in the whole history
of England, was now raging. It was not in that age considered as by
any means necessary that a naval officer should receive a professional
education. Young men of rank, who were hardly able to keep their
feet in a breeze, served on board the King's ships, sometimes with
commissions and sometimes as volunteers. Mulgrave, Dorset, Rochester,
and many others left the playhouses and the Mall for hammocks and salt
pork; and, ignorant as they were of the rudiments of naval service,
showed, at least, on the day of battle, the courage which is seldom
wanting in an English gentleman. All good judges of maritime affairs
complained that, under this system, the ships were grossly mismanaged,
and that the tarpaulins contracted the vices, without acquiring the
graces, of the court. But on this subject, as on every other, the
government of Charles was deaf to all remonstrances where the interests
or whims of favourites were concerned. Wycherley did not choose to
be out of the fashion. He embarked, was present at a battle, and
celebrated it, on his return, in a copy of verses too bad for the
bellman.[13]
About the same time he brought on the stage his second piece, _The
Gentleman Dancing-Master_. The biographers say nothing, as far as we
remember, about the fate of this play. There is, however, reason to
believe that, though certainly far superior to _Love in a Wood_, it
was not equally successful. It was first tried at the west end of the
town, and, as the poet confessed, "would scarce do there." It was then
performed in Salisbury Court, but, as it should seem, with no better
event. For, in the prologue to _The Country Wife_, Wycherley described
himself as "the late so baffled scribbler."
In 1675, _The Country Wife_ was performed with brilliant success,
which, in a literary point of view, was not wholly unmerited. For,
though one of the most profligate and heartless of human compositions,
it is the elaborate production of a mind, not indeed rich, original
or imaginative, but ingenious, observant, quick to seize hints, and
patient of the toil of polishing.
_The Plain Dealer_, equally immoral and equally well written, appeared
in 1677. At first this piece pleased the people less than the critics;
but after a time its unquestionable merits and the zealous support of
Lord Dorset, whose influence in literary and fashionable society was
unbounded, established it in the public favour.
The fortune of Wycherley was now in the zenith and began to decline. A
long life was still before him. But it was destined to be filled with
nothing but shame and wretchedness, domestic dissensions, literary
failures and pecuniary embarrassments.
Public-domain text, read in full here on John Shaqi.
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