When I lower my hand, and in one of the momentary reveries that tempt a
desultory writer tickle my cheek slowly with the feathered end of my
pen--for I don't incise my sentences with a point of steel, but, in the
old fashion, wing my words with a possibly too appropriate grey-goose
plume--I look through a tall window in an old house on the scenery I
have loved best and earliest in the world. The noble Welsh mountains are
on my right, the purple headlands stooping grandly into the waves; I
look upon the sea, the enchanted element, my first love and my last! How
often I lean upon my hand and smile back upon the waters that silently
smile on me, rejoicing under the summer heavens; and in wintry
moonlights, when the north wind drives the awful waves upon the rocks,
and I see the foam shooting cloud after cloud into the air, I have
found myself, after long hours, still gazing, as if my breath were
frozen, on the one peaked black rock, thinking what the storm and foam
once gave me up there, until, with a sudden terror, and a gasp, I wake
from the spell, and recoil from the white image, as if a spirit had been
talking with me all the time.
From this same window, in the fore-ground, I see, in morning light or
melancholy sunset, with very perfect and friendly trust, the shadowy old
churchyard, where I have arranged my narrow bed shall be. There my
mother-earth, at last, shall hold me in her bosom, and I shall find my
anodyne and rest. There over me shall hover through the old church
windows faintly the sweet hymns and the voices in prayer I heard long
ago; there the shadow of tower and tree shall slowly move over the grass
above me, from dawn till night, and there, within the fresh and solemn
sound of its waves, I shall lie near the ceaseless fall and flow of the
sea I loved so well.
I am not sorry, as I sit here, with my vain recollections and my direful
knowledge, that my life has been what it was.
A member of the upper ten thousand, I should have known nothing. I have
bought my knowledge dear. But truth is a priceless jewel. Would you part
with it, fellow-mourner, and return to the simplicities and illusions of
early days? Consider the question truly; be honest; and you will answer
"No." In the volume of memory, every page of which, like "Cornelius
Agrippa's bloody book," has power to evoke a spectre, would you yet
erase a line? We can willingly part with nothing that ever was part of
mind, or memory, or self. The lamentable past is our own for ever.
Public-domain text, read in full here on John Shaqi.
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