"Far beyond the reach of either history or tradition," I said. "But it has gradually been changing its character, as the people have been changing theirs; and is now a very different thing from what it was a century ago. It is not yet ninety years since lykewakes in the neighbouring Highlands used to be celebrated with music and dancing; and even here, on the borders of the low country, they used invariably, like the funerals of antiquity, to be the scenes of wild games and amusements, never introduced on any other occasion. You remember how Sir Walter describes the funeral of Athelstane. The Saxon ideas of condolence were the most natural imaginable. If grief was hungry, they supplied it with food, if thirsty, they gave it drink. Our simple ancestors here seem to have reasoned by a similar process. They made their seasons of deepest grief their times of greatest merriment; and the more they regretted the deceased, the gayer were they at his wake and his funeral. A friend of mine, now dead, a very old man, has told me that he once danced at a lykewake in the Highlands of Sutherland. It was that of an active and very robust man, taken away from his wife and family in the prime of life; and the poor widow, for the greater part of the evening, sat disconsolate beside the fire, refusing every invitation to join the dancers. She was at length, however, brought out by the father of the deceased. 'Little, little did he think,' he said, 'that she would be the last to dance at poor Rory's lykewake.'" We reached the cottage, and went in. The apartment in which the dead lay was occupied by two men and three women. Every little piece of furniture it contained was hung in white, and the floor had recently been swept and sanded; but it was on the bed where the body lay, and on the body itself, that the greatest care had been lavished. The curtains had been taken down, and their place supplied by linen white as snow; and on the sheet that served as a counterpane, the body was laid out in a dress of white, fantastically crossed and recrossed in every direction by scalloped fringes, and fretted into a species of open work, at least intended to represent alternate rows of roses and tulips. A plate containing a little salt was placed over the breast of the corpse. As we entered, one of the women rose; and, filling two glasses with spirits, presented them to us on a salver. We tasted the liquor, and sat down on chairs placed for us beside the fire. The conversation, which had been interrupted by our entrance, began to flow apace; and an elderly female, who had lived under the same roof with the deceased, began to relate, in answer to the queries of one of the others, some of the particulars of her last illness and death. THE STORY OF ELSPAT M'CULLOCH.