Winchester, Painted by Wilfrid BallVarley, Telford
History
Winchester, Painted by Wilfrid Ball
Varley, Telford
Winchester (England) -- Description and travel; Winchester (England) -- History; Winchester (England) -- Pictorial works
No Roman structure, except, perhaps, some part of the ancient wall still
existing, remains above ground now, but the site of the city, as marked
out by the Romans, still remains clearly shown, and the spade and
pick-axe are continually bringing to light evidences of what Winchester
was like in Roman days.
The Roman city formed a rectangle aligned almost exactly with the four
points of the compass. Intersecting it from north to south was the great
highway leading to Clausentum, and another road, practically
corresponding to the present High Street, crossed this at right angles,
dividing the whole area of the city into four rectangular blocks or
tesserae. All round this area was a wall of stout masonry, with gates at
the four points where the two main highways pierced it; upon the same
lines were reared later the walls of the Norman city, and their general
direction is clearly traceable now. A walk along Westgate Lane, North
walls, Eastgate Street, the Weirs (where portions of the ancient wall
may still be seen), College Street, Canon Street, and St. James’s Lane,
would practically carry us round the circuit of the Roman as it would of
the later mediaeval city.
The temples of the gods occupied the south-eastern area where the
Cathedral now stands, and a well in the Cathedral crypt is pointed out
to visitors as having
[Illustration: SHAWFORD MILL
Shawford Mill, near Shawford. The river channels here are fringed in
summer-time with mimulus, yellow iris, and forget-me-not, and are
delightful to ramble along.]
been connected with heathen worship in Roman times. Numerous pieces of
tesselated pavement, vases, urns, and votive objects generally, articles
of adornment, for household use and the toilet, are frequently found
even still, mingled with innumerable coins and relics of a military
nature.
Public-domain text, read in full here on John Shaqi.
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